Submissions from 2020
The Postcolonial Tempest, Kaylee Avila, Jessie De Arman, and Stephanie Gredell
Images of Jewishness in Italian Renaissance Art: Proximity, Agency, Caricature, Raquel Belden
In the Shadows of Memory: The Politics of Holocaust Memorialization and the Rise of Global Populism, Emily Josephine Bourgeois
Selfish Plants and Multispecies Creativity: Alternative Narratives in Environmental Discourse, Abigail Davidovna Bowen
Michelangelo and Tommaso Cavalieri: The Dual Nature of Love and Desire, Isaak Loewen
Letting Go of the Merry-Go-Round: The Subversion of Recovery Narratives in Addition Films, Alex Motter
Red-Lavender Colorblindness: Institutionalized Oppression and American Gay Life, Brooke Yung
Submissions from 2019
A Twelfth-Century Service for Enclosing an Anchorite or Anchoress: Introduction, Latin Text, and Translation, Luke Ayers and Victoria Bahr
Jane Austen's Artful Buildings: Embodying the Bildungsroman, Natalie Carrier
"The Supremacy of Human Rights Everywhere": The Struggle against Jim Crow during World War II, Thomas Harvell-DeGolier
Slutty Embellishments: Elizabethan Fashion and Projections of Decadence in Marlowe's Hero and Leander, Brian Holmes
"What Shall We Call Thee Then?": Defining Femininity Outside the Male Heteronormative World in John Donne's "Sappho to Philaenis", Kristina Reinis
The Farcical Suicide: Stoicism and the Satyricon, Carl Teegerstrom
Submissions from 2017
Barons and Yeomen, Venison and Vert: A Comparative Analysis of Magna Carta and A Gest of Robyn Hode in the Context of Forest Law, Kathryn Funderburg
Blurring the Lines: The Ambiguity of Gender and Sexuality in Ulysses, Samantha Heffner
Hitler’s “Utopia”: An Analysis of Gleichschaltung in the Third Reich, 1933-1939, Emma Lichtenberg
The Limits of Scribal Creativity: Rewriting the Cook’s Tale in Bodley 686, Franz Liebster
Catalogue Entry: St. Catherine and St. Barbara, Mary Martha Meyer Hill
Visualizing the Unspeakable: Graphic Novels and the Holocaust, Madilyn Pflueger
A Lifeʼs Worth: Reexamining Wergild in the Anglo-Saxon Royal Law Codes (c. 600-1035), Braden Sides
Classic Ragtime: An Overlooked American Art Form, Daniel Stephens
Submissions from 2016
The “Phantom Growth” of Sol Nazerman: Suppression in The Pawnbroker, Abigail Baltuskonis
Understanding the Problems and Importance of the Turin-Milan Hours: A Study of Art Historical Methods, Araceli Bremauntz
Decayed Drama, Increased Inclusivity: Beckett’s Theater in the 1960s, Ryan Diller
Abbot Suger’s St. Denis and the Cult of Relics, Kathryn Funderburg
Freakish, Feathery, and Foreign: Language of Otherness in the Squire’s Tale, Laurel Meister
Nietzsche on Language and Our Pursuit of Truth, Le Quyen Pham
Finding Their Voice: Women Musicians of Baroque Italy, Faith Poynor
Social Madness in Beat Generation Writing, Megan Reynolds
Submissions from 2015
Auditory Similes in the Homeric Iliad, Austen Hall
The Prevalence of Sexual Assault on College Campuses, Brenna Hill
Ambiguity in The Turn of the Screw, Faith Poynor
Littlepage's Complaint: The Realist Regionalism of Sarah Orne Jewett, Mason Walker
Submissions from 2014
Stigmatized Workers and Identity Formation: Spiritual Healers of Botánicas in San Antonio, Erin Drake
Counting Cucumber Hairs, Paige Roth
Low-Diversity, High-Density Intercropping: An Intermediary Step to Intercropping Food and Fuel Grasses, Nicole Vreeland
In Praise of Peculiar Bliss: Adherence and Innovation in John Keats's Personal Theology, Mason Walker
The Right to Be White: Fighting the Persecution of Albinos in Tanzania, Maddie Winchester