Submissions from 2023
Third-Generation Holocaust Inheritance in Two Graphic Narratives: A Layering of Histories and Legacies, Victoria Aarons
Submissions from 2022
Mennonites, Andrew Porter
Seeing Shakespeare: Narco narratives and neocolonial appropriations of Macbeth in the US–Mexico Borderlands, Kathryn Vomero Santos
Bachelor Sketches Invisible Women in Irving’s Domestic Writings, Claudia Stokes
Submissions from 2021
Reinventing Philip Roth in the Fiction of Others, Victoria Aarons
The Burden of the Third Generation in Germany: Nora Krug’s Belonging: A German Reckons with History and Home, Victoria Aarons
The Late Novellas, Victoria Aarons
The Novel, Peter Balbert
Ekphrastic Temporality, Shaj Mathew
The Multiple Simultaneous Temporalities of Global Modernity: Pamuk, Tanpınar, Proust, Shaj Mathew
Gallery, Andrew Porter
Safe Room, Andrew Porter
Sleepless, Andrew Porter
The Empty Unit, Andrew Porter
Hope, Hunger, and Spiritual Liberation in Joyce's Dubliners, David Rando
"Our Language is the Forest": Landscapes of the Mother Tongue in David Greig's Dunsinane, Kathryn Vomero Santos
'Reading Strange Matters': Digital Approaches to Early Modern Transnational Print History, Kathryn Vomero Santos
The Stories We Tell and Sell about Early Modern Women Writers: Teaching Toward an Intersectional Feminist Public Humanities, Kathryn Vomero Santos
Exegesis in the Age of Extremism: The Future of Christianity and Literary Studies in Higher Education, Claudia Stokes
Submissions from 2020
“Master Race”: Graphic Storytelling in the Aftermath of the Holocaust, Victoria Aarons
"Sometimes Your Memories Are Not Your Own": The Graphic Turn and the Future of Holocaust Representation, Victoria Aarons
Teaching Holocaust Literature in the Twenty-First Century, Victoria Aarons
Solar Copulation and Spiral Rhythm: Norman Mailer, Giovanni Verga, Trigant Burrow, and the Courage of Desire in D.H. Lawrence’s Sun, Peter Balbert
What Does the Wolf Say? Animal Language and Political Noise in Coriolanus, Liza Blake and Kathryn Vomero Santos
Ted Cohen on Sharing the World, Michael Fischer
Latin Manuscripts of Richard Rolle at the University of Illinois, Andrew B. Kraebel
Chili, Andrew Porter
‘Let Me Be Th’interpreter’: Shakespeare and the Tongues of War, Kathryn Vomero Santos
This Living Hand: Bright Star and the Etsy Effect, Betsy Winakur Tontiplaphol
Submissions from 2019
Reading Roth/Reading Ourselves: Looking Back, Victoria Aarons
Rolle Reassembled: Booklet Production, Single-Author Anthologies, and the Making of Bodley 861, Andrew B. Kraebel
The Last Cleric: Ann Douglas, Intellectual Authority, and the Legacy of Feminization, K. Pelletier, Claudia Stokes, and A. Van Engen
The Insistence of Psychoanalysis in Contemporary Jewish American Fiction, Willis Salomon
Submissions from 2018
American Jewish Writing in the Twenty-First Century: New Global Directions, Victoria Aarons
Vines, Andrew Porter
Novel Commonplaces: Quotation, Epigraphs, and Literary Authority, Claudia Stokes
Submissions from 2017
Not Getting It: The Allure of the Counterlife in Early and Late Roth, Victoria Aarons
Compensatory Reversal and the Voluptuous Suffocation: Nightmare and Sexual Revenge in "The Border-Line", Peter Balbert
Of the Making of Little Books: The Minor Works of William of Newburgh, Andrew B. Kraebel
Women Writers and the Hymn, Claudia Stokes
Submissions from 2016
Faces in a Sea of Suffering: The Human Predicament in Saul Bellow’s The Victim, Victoria Aarons
Saul Bellow as a Novelist of Ideas: Introduction to the Forum, Victoria Aarons and Gustavo Sánchez-Canales
Biblical Exegesis and the Twelfth-Century Expansion of Servius, Andrew B. Kraebel
Poetry and Commentary in the Medieval School of Rheims: Reading Virgil, Reading David, Andrew B. Kraebel
The Future of Joyce's A Portrait: The Künstlerroman and Hope, David Rando
“The Knots Within”: Translations, Tapestries, and the Art of Reading Backwards, Kathryn Vomero Santos
"Sinful Creature, Full of Weakness": The Theology of Disability in Cummins's The Lamplighter [Review], Claudia Stokes
Submissions from 2015
Grace Paley’s Urban Jewish Voice: Identity, History, and "The Tune of the Language", Victoria Aarons
The Making of American Jewish Identities in Postwar American Fiction, Victoria Aarons
The Poetics of Unoriginality: The Case of Lucretia Davidson, Claudia Stokes
Submissions from 2014
A Genre of Rupture: The Literary Language of the Holocaust, Victoria Aarons
The Perils of Desire in Philip Roth’s Early Fiction, Victoria Aarons
Defending Compromise, Michael Fischer
Like the Odyssey, Only Different: Olympian Omnipotence versus Karmic Adjustment in Pynchon's Vineland, David Rando
Hosting Language: Immigration and Translation in The Merry Wives of Windsor, Kathryn Vomero Santos
The Religious Novel, Claudia Stokes
Submissions from 2013
Expelled Once Again: The Fantasy of Living the Counterlife in Roth’s Nemesis, Victoria Aarons
Foreword --Roth's Psychoanalytic Selves [in Philip Roth - The Continuing Presence: New Essays on Psychological Themes], Victoria Aarons
Foreword: Saul Bellow’s Urban Landscapes, Victoria Aarons
Guardians of the Torah: Ambiguity and Antagonism in The Promise, Victoria Aarons
“Just as He’d Feared from the Start”: The Treachery of Desire in Philip Roth’s Nemesis, Victoria Aarons
Memory, Conscience, and the Moral Weight of Holocaust Representation, Victoria Aarons
The Trauma of History in The Gates of the Forest, Victoria Aarons
‘Washed Up on the Shores of Truth’: Saul Bellow’s Post-Holocaust America, Victoria Aarons
David Foster Wallace and Lovelessness, David Rando
The Religious Revival: Narratives of Religious Origin in US Culture [Review], Claudia Stokes
Submissions from 2012
A Roundtable Memorializing Saul Bellow and the Herzog Years: Response, Victoria Aarons
Biography of Saul Bellow, Victoria Aarons
Jewish American Fiction, Victoria Aarons
Saul Bellow, Victoria Aarons
The Certainties of History and the Uncertainties of Representation in Post-Holocaust Writing, Victoria Aarons
Where Is Philip Roth Now?, Victoria Aarons
Forgiveness and Literature, Michael Fischer
George Saunders and the Postmodern Working Class, David Rando
My Kingdom: Sentimentalism and the Refinement of Hymnody, Claudia Stokes
Submissions from 2011
Not for Profit: Why Democracy Needs the Humanities [Review], Michael Fischer
Modernist Fiction and News: Representing Experience in the Early Twentieth Century, David Rando
The Perverse in Historical Perception: Anne Frank and Neutral Milk Hotel in the Aeroplane over the Sea, David Rando
Transatlantic Print Culture, 1880–1940: Emerging Media, Emerging Modernisms [Review], David Rando
The New Jewish Literature, Mark Shechner, Thane Rosenbaum, and Victoria Aarons
Bodies of Reform: The Rhetoric of Character in Gilded Age America [Review], Claudia Stokes
These Days of Large Things: The Culture of Size in America, 1865-1930 [Review], Claudia Stokes
Submissions from 2010
A Kaddish for History: Holocaust Memory in Ehud Havazelet’s Bearing the Body, Victoria Aarons
Bernard Malamud, Victoria Aarons
Philip Roth’s Comic Realism in ‘Goodbye Columbus’, Victoria Aarons
Submissions from 2009
The Cat's Meow: Ulysses, Animals, and the Veterinary Gaze, David Rando
Submissions from 2008
Memory as Accomplice to History: Trauma and Narrative in Elie Wiesel’s ‘An Old Acquaintance', Victoria Aarons
The Death of Sigmund Freud: The Legacy of His Last Days [Review], Michael Fischer
Using Stanley Cavell, Michael Fischer
Inner Workings: Literary Essays 2000-2005 [Review], David Rando
Joyce's Kaleidoscope: An Invitation to "Finnegans Wake" [Review], David Rando
In Defense of Genius: Howells and the Limits of Literary History, Claudia Stokes
Literary Retrospection in the Harlem Renaissance, Claudia Stokes
The Mother Church: Mary Baker Eddy and the Practice of Sentimentalism, Claudia Stokes
Submissions from 2007
American-Jewish Identity in Philip Roth’s Goodbye, Columbus and Five Short Stories, Victoria Aarons
‘Not Enough Air to Breathe’: The Victim in Saul Bellow’s Post-Holocaust America, Victoria Aarons
Realists and Reformers in the Nineteenth Century, Claudia Stokes
Submissions from 2006
Stanley Cavell and Criticizing the University from Within, Michael Fischer