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Honors Theses from 2023

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A Short History of a Small Prep School, Elizabeth Motes

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The Bard and the Myth of Universality: Decentering Shakespeare in Asian American Appropriations, Sarah Pita

Honors Theses from 2022

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How to Do Things with Magic: Yeat's Incantatory Performatives, Zoe E. Grout

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The Fire of Love: Medieval Mysticism and the Role of Women in Religion and the Production of Texts, Claire Siewert

Honors Theses from 2021

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Woolf’s Antigone: Modeling Antifascist Feminism Through a Tragic Lens, Hannah Kyle Friedrich

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Shakespeare, Universality, and High-Profile Legal Proceedings: The Case of Othello and O.J. Simpson, Elena Nusloch

Honors Theses from 2020

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“And By Drawing, She Will Find It Again,”: Identity & Memory in Contemporary Third- and Fourth-Generation Holocaust Graphic Memoir, Emily Josephine Bourgeois

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Making Kin with Kudzu, Abigail Davidovna Bowen

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What We Ought to Say: An Appropriation of King Lear, Theresa Ho

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Barbary: Creating Theater to Give a Voice and a Name to Black Women in Shakepeare and Beyond, Lindsay Jasmine Morgan

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Tenues Grandia: Lyric Performance in Horace and Marvell, Tiffany Diem-Suong Nguyen

Honors Theses from 2019

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you tried to explain something to me, Brian Holmes

Honors Theses from 2018

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Indivisible, Julia Camp

Honors Theses from 2017

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Cancer as Metaphor: The Metaphorical Implications of Romanticized Illness in Young Adult Fiction, Bridget Bey

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Homeward Bound: Wordsworth, Shelley, and the Long Search for Home, Samantha Heffner

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Stepping out of the Shadows: Second Generation Holocaust Representation, Olivia Erin Mill

Honors Theses from 2016

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“King? Well I didn’t vote for you!”: The Necessity of Narrative Distance and Political Awareness in Arthurian Adaptation, Mallory Mazzarella

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Kerouac’s Noble Savage: The Tragic Fate of the Primitive Man Trapped Within Modernity, Megan Reynolds

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Flannery O'Connor's Theology of a Disabled Woman's Body, Mariah Wahl

Honors Theses from 2015

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Inventing my Grandfather, Heather Bush

Honors Theses from 2014

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Making Sense of Mina: Stoker's Vampirization of the Victorian Woman in Dracula, Kathryn Boyd

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“Could Fulfillment Ever Be Felt as Deeply as Loss?”: A Postcolonial Examination of the West’s Influence on India as Reflected by Kiran Desai’s Portrayal of Twentieth Century Female Education in The Inheritance of Loss, Ambreen Hooda

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Two Hands, Samuel Milton Jensen

Honors Theses from 2013

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To Someone Who Will Understand, Margaret Browne

Honors Theses from 2012

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HEARING “SORDELLO’S STORY TOLD”: READABILITY AND NARRATIVE PROCESS IN ROBERT BROWNING’S SORDELLO, Jessica Abel

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Pick A Card, Emily Allen

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The Political Conscience: Paradise Lost, Political Allegory, and the Origins of Stanley Fish’s “Interpretive Communities”, Zachary D. Sharp

Honors Theses from 2011

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I Know I Haven’t Said a Thing, Layla Benitez-James

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A Stillness Has Come, Nana Ama Buckman

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Delicate Maps, Ashley Gabbert

Honors Theses from 2010

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What Humans Sound Like, Lauren Browning

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Mythology Redefined: A Creative Thesis, Tracy Carlin

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A Tent for the Sun, David McFarlane

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The Management of Hope, Brianna Young

Honors Theses from 2008

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The Pantanal, Eleanor Frisch

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Rhyme or Reason?: Successfully Translating the Poetry of Paul Celan, Jeanna Goodrich

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Where Have the Men Called Heaven Gone?, Analicia Sotelo

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Stephen King’s The Dark Tower and the Postmodern Serial, Jessica Waller

Honors Theses from 2006

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Unearthing Revolution: the Awakening of Man Unknown to Himself in Charles Brockden Brown's Edgar Huntly, Halvorson J. Nathaniel

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The Institution of the American Poet Laureate: Mark Strand and the Laureateship's Indication of Poetic Voice, Alexandra Seifert