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Honors Theses from 2022

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Manifestations of Myth in Antonin Dvořák’s Stabat Mater, Pia Marie Rodriguez

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The Story of the Ziffersystem and the Russian Mennonites: Counting Blessings, Emily Grace Warkentin

Honors Theses from 2020

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In Pursuit of the Sacred: The Idealistic Alignment of Arvo Pärt and Pope Pius X, Lindsey Farley

Honors Theses from 2019

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Inclusive Practices in Texas Music Education: Perspectives from the Field, Anastasia White

Honors Theses from 2018

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Trinity’s Lost Treasure: An Unexamined Gradual in Trinity University’s Special Collections, Kristina M. Kummerer

Honors Theses from 2014

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The Culture and Music of American Cabaret, Katherine Anne Yachinich

Honors Theses from 2013

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Sexual Sonorities: Gender Implications in Eighteenth- and Nineteenth-Century Viola da Gamba and Violoncello Performance Practices, Sarah Becker

Honors Theses from 2009

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The Trouble with Nationalism: ‘Englishness’ in the Quartets of Britten, Tippett, and Vaughan Williams, Sarah Elaine Robinson

Honors Theses from 2007

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The Etiology of Music: Frederic Chopin and the Consumptive Ideal, Shirali Patel

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External Influences on the Compositional Development of Dieterich Buxtehude, as Evidenced in the Free Organ Works, Glenn Stroh

Honors Theses from 2005

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Improvisation: An Integral Step in Piano Pedagogy, Lauren French