Submissions from 2022
Sharenting and the Extended Self: Self-Representation in Parents’ Instagram Presentations of Their Children, S. Holiday, M. S. Norman, and Rebecca L. Densley
Light and Time in the Narrative Fiction Film, Patrick Keating
Censorship, Pandemic, and the Field of Power: The Death and Revival of a Chinese War Epic, Zhaoxi Liu
Submissions from 2021
Influencer Marketing Between Mothers: The Impact of Disclosure and Visual Brand Promotion, S. Holiday, Rebecca L. Densley, and M. S. Norman
The Video Essay and Classical Hollywood Studies, Patrick Keating
Illusion vs. Disillusion: Chinese Viewers' Articulation of "House of Cards", Zhaoxi Liu
Neither Public, nor Private: Inventing PBS Television, 1965-67, Camille Reyes
Spinning at the Border: Employee Activism in 'Big PR', Camille Reyes
Submissions from 2020
Professional Education and Media Literacy: Oil and Water?, William G. Christ
Propaganda Critic, Russian Disinformation, and Media Literacy: A Case Study, Aaron A. Delwiche and Mary Margaret Herring
The Literacies of Participatory Cultures, Jennifer J. Henderson
Style and Storytelling in the Hollywood Aesthetic, Patrick Keating
The Video Essay as Cumulative and Recursive Scholarship, Patrick Keating
Social Media and Chinese Journalists' Pursuit of Press Freedom, Zhaoxi Liu
Blurring Boundaries: Exploring Tweets as a Legitimate Journalism Artifact, Zhaoxi Liu and D. Berkowitz
'Pinning' Tourist Photographs: Analyzing the Photographs Shared on Pinterest of Heritage Tourist Destinations, Melissa McMullen
Teaching Cultural Understanding to Undergraduate Graphic Design Students: A Case Study for Design Educators, Melissa McMullen
Reading the Myth of American Freedom: The U.S. Immigration Video, Camille Reyes
Exploring the Dynamics in the Environmental Discourse: The Longitudinal Interaction Among Public Opinion, Presidential Opinion, Media Coverage, Policymaking in 3 Decades and an Integrated Model of Media Effects, Qingjiang Yao, Zhaoxi Liu, and L. F. Stephens
Submissions from 2019
An Experimental Examination of Binge Watching and Narrative Engagement, Sarah E. Erickson, Sonya Dal Cin, and H. Byl
Rapper GAI, Style and Hegemony in China: Examining a Transformation from Jianghu Liu to Xinhua Liu, Zhaoxi Liu
Cross-Cultural Design: Identifying Cultural Markers of Printed Graphic Design from Germany and South Korea, Melissa McMullen
Submissions from 2018
Romantic Parasocial Attachments and the Development of Romantic Scripts, Schemas and Beliefs among Adolescents, Sarah E. Erickson and Sonya Dal Cin
Toward a Multi-Dimensional Model of Adolescent Romantic Parasocial Attachment, Sarah E. Erickson, K. Harrison, and Sonya Dal Cin
Seeing History: A Visual Assessment of the Historic-Grounding of Old Western Tourist Towns, Melissa McMullen
Spokesperson is a Four-Letter Word: Public Relations and Power in Occupy New York, Camille Reyes
Media and Religion in China: Publicizing Gods under an Atheistic Governance, Qingjiang Yao and Zhaoxi Liu
Submissions from 2017
Still Searching for the Unicorn: Transmedia Storytelling and the Audience Question, Aaron A. Delwiche
Let's Talk About Texts, Baby: Proposing a New Model for Copyright in a Transtext World, Jennifer Jacobs Henderson
Artifice and Atmosphere: The Visual Culture of Hollywood Glamour Photography, 1930-1935, Patrick Keating
Motifs of Movement and Modernity, Patrick Keating
What Does It Mean to Say That Cinematography Is Like Painting With Light?, Patrick Keating
Thoughts on Doing Field Work in Chinese and American Newsrooms, Zhaoxi Liu
Emancipatory Broadband Adoption: Toward a Critical Theory of Digital Inequality in the Urban United States, Todd Wolfson, Jessica Crowell, Camille Reyes, and Amy Bach
What are Shaping the Ethical Bottom Line?: Identifying Factors Influencing Young Readers' Acceptance of Digital News Photo Alteration, Qingjiang Yao, D. D. Perlmutter, and Zhaoxi Liu
Submissions from 2016
Cui Jian: Extolling Idealism Yet Advocating for Freedom Through Rock Music in China, Zhaoxi Liu
Intercultural Design Competence: A Guide for Graphic Designers Working Across Cultural Boundaries, Melissa McMullen
Submissions from 2015
Film Noir and the Culture of Electric Light, Patrick Keating
Submissions from 2014
Assessing the ACEJMC Professional Values and Competencies, William G. Christ and Jennifer Jacobs Henderson
Scanner Tags, Comic Book Piracy and Participatory Culture, Aaron A. Delwiche
Benchmarking ACEJMC Competencies: What it Means for Assessment, Jennifer Jacobs Henderson and William G. Christ
Top-down Bottom-up or Both?: Successful Structures and Processes in Youth Radio Training Projects, Robert Huesca
The Old West of Old Town: Understanding Visual Simulacra as a Means of Staged Authenticity, Melissa McMullen
Submissions from 2013
The Players That are A-Changin': The Rise of Older MMO Gamers, Aaron A. Delwiche and Jennifer Jacobs Henderson
The Boundaries of Free Speech in Social Media, Jennifer Jacobs Henderson
Submissions from 2012
Media Use and Postmaterialist Values in China and the US: A Comparative Study, Zhaoxi Liu
Submissions from 2011
Art, Accident, and the Interpretation of the Modern World, Patrick Keating
The Plot Point, The Darkest Moment, and the Answered Question: Three Ways of Modelling the Three-Quarter-Point, Patrick Keating
Message Desirability, Social Distance, and Real Influence: Testing the Third-Person Perception in a Gubernatorial Election, Qingjiang Yao and Zhaoxi Liu
China's Official Media Portrayal of Religion (1996-2005): Policy Change in a Desecularizing Society, Qingjiang Yao, D. A. Stout, and Zhaoxi Liu
Submissions from 2010
The Volcano and the Barren Hill: Gabriel Figueroa and the Space of Art Cinema, Patrick Keating
Submissions from 2009
Media Literacy 2.0: Unique Characteristics of Video Games, Aaron A. Delwiche
Submissions from 2006
Production and Graphics, Aaron A. Delwiche, B. Gersch, and S. Williams-Rautiola
Law and Policy, Jennifer Jacobs Henderson
From the Portrait to the Close-Up: Gender and Technology in Still Photography and Hollywood Cinematography, Patrick Keating
Submissions from 2005
Agenda-Setting, Opinion Leadership, and the World of Web Logs, Aaron A. Delwiche
Submissions from 2004
The Jehovah's Witnesses and Their Plan to Expand First Amendment Freedoms, Jennifer Jacobs Henderson
Submissions from 2003
The Fictional Worlds of Neorealism, Patrick Keating
Submissions from 1998
Media Literacy, Media Education, and the Academy, William G. Christ and W. J. Potter
The Social Landscape: A Photojournalism Professor's Project, Gerald John Davey
Submissions from 1997
The Missions and Purposes of Journalism and Mass Communication Education, William G. Christ and T. Hynes
Submissions from 1995
Overcoming Relationship-Initiation Barriers: The Impact of a Computer-Dating System on Sex Role, Shyness, and Appearance Inhibitions, B. W. Scharlott and William G. Christ
Submissions from 1994
Do Attitudes Toward Political Advertising Affect Information Processing of Televised Political Commercials?, William G. Christ, E. M. Thorson, and C. L. Caywood
Submissions from 1991
Effects of Issue-Image Strategies, Attack and Support Appeals, Music, and Visual Content in Political Commercials, E. M. Thorson, William G. Christ, and C. L. Caywood
Submissions from 1989
The Witness of the Holy Spirit, A. Primavesi and Jennifer Jacobs Henderson
Submissions from 1988
Women Through Time: Who Gets Covered?, Sammye Johnson and William G. Christ
Submissions from 1985
The Construct of Arousal in Communication Research, William G. Christ
Submissions from 1984
An Exploratory Investigation Into the Relationship Between Television Program Preference and Emotion-Eliciting Qualities--A New Theoretical Perspective, William G. Christ and T. Biggers
Submissions from 1980
Readability of Brochures Produced by State of Florida, William G. Christ and P. Pharr