Digital Commons @ Trinity

Totality: Abstraction and Meaning in the Art of Barnett Newman, Michael Schreyach
Faculty Authored and Edited Books & CDs

Totality: Abstraction and Meaning in the Art of Barnett Newman, Michael Schreyach
Michael Schreyach

Spacing Expression, Michael Schreyach
Michael Schreyach

Never Mind the Pollocks, Michael Schreyach
Michael Schreyach

Moving Vision: Anne Truitt, Paintings 1972-1991, Michael Schreyach
Michael Schreyach

Never Mind the Pollocks, Michael Schreyach
Art and Art History Faculty Research

Reflection and Remembrance in Jan van Eyck's Van der Paele Virgin, Douglas Brine
Art and Art History Faculty Research

Barnett Newman's “Sense of Space”: A Noncontextualist Account of Its Perception and Meaning, Michael Schreyach
Michael Schreyach

Barnett Newman, Michael Schreyach
Michael Schreyach

History and Desire: A Short Introduction to the Art of Cy Twombly, Michael Schreyach
Michael Schreyach

Pre-objective Depth in Merleau-Ponty and Jackson Pollock, Michael Schreyach
Michael Schreyach

Re-created Flatness: Hans Hofmann’s Concept of the Picture Plane as a Medium of Expression, Michael Schreyach
Michael Schreyach

Meeting Spaces, Michael Schreyach
Michael Schreyach

Intention and Interpretation in Hans Namuth's Film, Jackson Pollock, Michael Schreyach
Michael Schreyach

John Dewey and Art, Michael Schreyach
Michael Schreyach

Representing “Actuality”, Michael Schreyach
Michael Schreyach

Fixed Ecstasy: Joan Miró in the 1920s, Michael Schreyach
Michael Schreyach

‘I am Nature’: Science and Jackson Pollock, Michael Schreyach
Michael Schreyach

The Crisis of Jackson Pollock’s Mural as a Painting, Michael Schreyach
Michael Schreyach

Unity and Continuity in Jon Lee’s Abstract Woodblock Prints, Michael Schreyach
Michael Schreyach

David Smith's Equivalence, Michael Schreyach
Michael Schreyach

Seeing Noland’s Feeling, Michael Schreyach
Michael Schreyach

Kandinsky: Tactical, Operational, Strategic, Michael Schreyach
Michael Schreyach

Helen Frankenthaler’s Gravity, Michael Schreyach
Michael Schreyach

[Review of the book Pollock's modernism, by M. Schreyach], Eileen Costello
Art and Art History Faculty Research

Moving Vision: Anne Truitt, Paintings 1972-1991, Michael Schreyach
Art and Art History Faculty Research

Spacing Expression, Michael Schreyach
Art and Art History Faculty Research

Beholding Barnett Newman's Adam, Part 2: Immanent Iconography, Michael Schreyach
Art and Art History Faculty Research

Beholding Barnett Newman's Adam, Part 1: Scale and Standing, Michael Schreyach
Art and Art History Faculty Research

Meeting Spaces, Michael Schreyach
Art and Art History Faculty Research

Beholding Barnett Newman's Adam, Part 3: Exposing Creation, Michael Schreyach
Art and Art History Faculty Research

Review of Pollock's Modernism, Michael Schreyach
Michael Schreyach

Pollock's Modernism, Michael Schreyach
Faculty Authored and Edited Books & CDs

History and Desire: A Short Introduction to the Art of Cy Twombly, Michael Schreyach
Faculty Authored and Edited Books & CDs

The Ritual Landscape at Persepolis: Glyptic Imagery From the Persepolis Fortification and Treasury Archives, Mark B. Garrison
Faculty Authored and Edited Books & CDs

The Crisis of Jackson Pollock’s Mural as a Painting, Michael Schreyach
Art and Art History Faculty Research

Kandinsky: Tactical, Operational, Strategic, Michael Schreyach
Art and Art History Faculty Research

Abbot Suger’s St. Denis and the Cult of Relics, Kathryn Funderburg
The Expositor: A Journal of Undergraduate Research in the Humanities

Understanding the Problems and Importance of the Turin-Milan Hours: A Study of Art Historical Methods, Araceli Bremauntz
The Expositor: A Journal of Undergraduate Research in the Humanities

Re-created Flatness: Hans Hofmann’s Concept of the Picture Plane as a Medium of Expression, Michael Schreyach
Art and Art History Faculty Research

A Conversation with Michael Fried, Michael Schreyach
Art and Art History Faculty Research

The Meaning of Feeling, Michael Schreyach
Art and Art History Faculty Research

The Crisis of Mural as a Painting, Michael Schreyach
Art and Art History Faculty Research

Representing “Actuality”, Michael Schreyach
Art and Art History Faculty Research

Barnett Newman, Michael Schreyach
Art and Art History Faculty Research

John Dewey and Art, Michael Schreyach
Art and Art History Faculty Research

The Genealogical Series in the Late Middle Ages: A Survey of the Importance of Lineage for Dynastic Power, Skye Cornelia
Undergraduate Student Research Awards

Pre-objective Depth in Merleau-Ponty and Jackson Pollock, Michael Schreyach
Art and Art History Faculty Research

Barnett Newman's “Sense of Space”: A Noncontextualist Account of Its Perception and Meaning, Michael Schreyach
Art and Art History Faculty Research

Fixed Ecstasy: Joan Miró in the 1920s, Michael Schreyach
Art and Art History Faculty Research

Pollock's Formalist Spaces, Michael Schreyach
Art and Art History Faculty Research

Intention and Interpretation in Hans Namuth's Film, Jackson Pollock, Michael Schreyach
Art and Art History Faculty Research

Unity and Continuity in Jon Lee’s Abstract Woodblock Prints, Michael Schreyach
Art and Art History Faculty Research

Rogier van der Weyden and Early Netherlandish Wall Memorials, Douglas Brine
Art and Art History Faculty Research

‘I am Nature’: Science and Jackson Pollock, Michael Schreyach
Art and Art History Faculty Research

Seeing Noland’s Feeling, Michael Schreyach
Art and Art History Faculty Research

Helen Frankenthaler’s Gravity, Michael Schreyach
Art and Art History Faculty Research

David Smith's Equivalence, Michael Schreyach
Art and Art History Faculty Research

La Vivienda Colectiva de los Yanomami, Graziano Gasparini, Luise Margolies
Tipití: Journal of the Society for the Anthropology of Lowland South America