Digital Commons @ Trinity

Imperial Incentives and Individual Allegiances in Juan Antonio Correa’s La Pérdida y Restauración de Bahía de Todos los Santos, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

The Wife-Murder Plays, Matthew D. Stroud
Matthew D Stroud

Los celos hasta los cielos y desdichada Estefanía: Honor, amor, ideal y falla en la obra de Luis Vélez de Guevara, Matthew D. Stroud
Matthew D Stroud

The Closest Reading: Creating Annotated Editions, Matthew D. Stroud
Matthew D Stroud

Genesis 31-34 as Spanish Comedia: Lope de Vega’s El robo de Dina, Matthew D. Stroud
Matthew D Stroud

The Resocialization of the Mujer Varonil in Three Plays by Vélez, Matthew D. Stroud
Matthew D Stroud

Sainthood and Psychoanalysis: Tirso's Santa Juana, Matthew D. Stroud
Matthew D Stroud

Performativity and Sexual Identity in Calderón’s Las manos blancas no ofenden (White Hands Don't Offend), Matthew D. Stroud
Matthew D Stroud

Further Considerations of History and Law in the Wife-Murder Comedias, Matthew D. Stroud
Matthew D Stroud

"¿Y sois hombre o sois mujer?": Sex and Gender in Tirso’s Don Gil de las calzas verdes, Matthew D. Stroud
Matthew D Stroud

The Lessons of Calderón’s La cisma de Inglaterra, Matthew D. Stroud
Matthew D Stroud

Subjects, Objects, and Psychoanalysis: Lacanian Concepts as Pedagogical Approaches to Don Quixote, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

Taking Matters into Their Own Hands: Heroic Women of the Early Reconquest in the Spanish Comedia, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

"¡Ay, Reino Mal Gobernado!": The Monarchy in Mira de Amescua’s Las Desgracias del Rey Don Alfonso, el Casto, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

The Wife-Murder Plays, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

Genesis 31-34 as Spanish Comedia: Lope de Vega’s El Robo de Dina, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

The Biblical Ruth as Dama Principal: Tirso’s La Mejor Espigadera, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

De la Biblia hebrea a la comedia española: El clavo de Jael de Mira de Amescua, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

Supersession, the Comedia Nueva, and Tirso's La Mejor Espigadera, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

Artistic Distance and the Comedia: Lessons from Don Quijote, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

The Play of Means and Ends: Justice in Lope's Fuenteovejuna, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

Los Celos Hasta Los Cielos y Desdichada Estefanía: Honor, Amor, Ideal y Falla en la Obra de Luis Vélez de Guevara, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

Defining the Comedia: On Generalizations Once Widely Accepted That are no Longer Accepted so Widely, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

Another Look at Calderón’s El Príncipe Constante as Tragedy, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

The Closest Reading: Creating Annotated Editions, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

Infallible Texts and Righteous Interpretations: Don Quijote and Religious Fundamentalism, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

The Director’s Cut: Baroque Aesthetics and Modern Stagings of the Comedia, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

Authenticity, Authoriality, and the Nature of Electronic Texts: Don Quijote in the Age of Digital Reproduction, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

Gender and the Gaze: Sor Juana, Lacan, and Spanish Baroque Poetry, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

Uxoricidas, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

Artistry and Irony in María de Zayas's La Inocencia Castigada, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

Performativity and Sexual Identity in Calderón’s Las Manos Blancas No Ofenden (White Hands Don't Offend), Matthew D. Stroud
Modern Languages and Literatures Faculty Research

Homo/Hetero/Social/Sexual: Gila in Vélez’s La Serrana de la Vera, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

Comedy, Foppery, Camp: Moreto’s El Lindo don Diego, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

Pedro Calderón de la Barca, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

The Lessons of Calderón’s La Cisma de Inglaterra, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

The Comedia in Amsterdam, 1609-1621: Rodenburgh's Translation of Aguilar's La Venganza Honrosa, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

Sainthood and Psychoanalysis: Tirso's Santa Juana, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

The Demand for Love and the Mediation of Desire in La Traición en la Amistad, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

Rivalry and Violence in Lope's El Castigo Sin Verganza, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

The Electronic Comedia, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

The Desiring Subject and the Promise of Salvation: A Lacanian Study of Sor Juana's El Divino Narciso, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

Genre and Lack in the Comedia, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

Clotaldo's Daughter, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

"¿Y Sois Hombre o Sois Mujer?": Sex and Gender in Tirso’s Don Gil de las Calzas Verdes, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

Symbols, Referents, and Theatrical Semantics: The Use of Hands in the Comedia, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

The Comedia as Playscript, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

Further Considerations of History and Law in the Wife-Murder "Comedias", Matthew D. Stroud
Modern Languages and Literatures Faculty Research

La Literatura y la Mujer en el Barroco: Valor, Agravio y Mujer, de Ana Caro, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

Love, Friendship, and Deceit in La Traición en la Amistad by María de Zayas, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

Martyrs, Martyrdom, and the Comedia, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

Some Practical Thoughts on Producing Calderón’s Court Plays, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

The Comedia as Potboiler: Juan de Cabeza’s Matar por zelos su dama, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

The Resocialization of the Mujer Varonil in Three Plays by Vélez, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

Tirso's Wife-Murder Play: La Vida y Muerte de Herodes, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

Stylistic Considerations of Calderón’s Opera Librettos, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

Los Comendadores de Córdoba: Realidad, Manierismo y el Barroco, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

La Numancia Como Auto Secular, Matthew D. Stroud
Modern Languages and Literatures Faculty Research

Social-Comic Anagnorisis in La Dama Duende, Matthew D. Stroud
Modern Languages and Literatures Faculty Research