Digital Commons @ Trinity

Defining the Comedia: On Generalizations Once Widely Accepted That are no Longer Accepted so Widely, Matthew Stroud
Matthew D Stroud

Supersession, the Comedia nueva, and Tirso's La mejor espigadera, Matthew Stroud
Matthew D Stroud

The Play of Means and Ends: Justice in Lope's Fuenteovejuna, Matthew Stroud
Matthew D Stroud

Gender and the Gaze: Sor Juana, Lacan, and Spanish Baroque Poetry, Matthew Stroud
Matthew D Stroud

"¡Ay, reino mal gobernado!": The Monarchy in Mira de Amescua’s Las desgracias del rey don Alfonso, el Casto, Matthew Stroud
Matthew D Stroud

Artistry and Irony in María de Zaya's La inocencia castigada, Matthew Stroud
Matthew D Stroud

Uxoricidas, Matthew Stroud
Matthew D Stroud

The Director’s Cut: Baroque Aesthetics and Modern Stagings of the Comedia, Matthew Stroud
Matthew D Stroud

Comedy, Foppery, Camp: Moreto’s El lindo don Diego., Matthew Stroud
Matthew D Stroud

Subjects, Objects, and Psychoanalysis: Lacanian Concepts as Pedagogical Approaches to Don Quixote, Matthew Stroud
Matthew D Stroud

Another Look at Calderón’s El príncipe constante as Tragedy, Matthew Stroud
Matthew D Stroud

Infallible Texts and Righteous Interpretations: Don Quijote and Religious Fundamentalism, Matthew Stroud
Matthew D Stroud

Artistic Distance and the Comedia: Lessons from Don Quijote, Matthew Stroud
Matthew D Stroud

The Biblical Ruth as Dama Principal: Tirso’s La mejor espigadera, Matthew Stroud
Matthew D Stroud

Imperial Incentives and Individual Allegiances in Juan Antonio Correa’s La pérdida y restauración de Bahía de Todos los Santos, Matthew Stroud
Matthew D Stroud

Taking Matters into Their Own Hands: Heroic Women of the Early Reconquest in the Spanish Comedia, Matthew Stroud
Matthew D Stroud

Authenticity, Authoriality, and the Nature of Electronic Texts: Don Quijote in the Age of Digital Reproduction, Matthew Stroud
Matthew D Stroud

Some Practical Thoughts on Producing Calderón’s Court Plays, Matthew Stroud
Matthew D Stroud

Social-Comic Anagnorisis in La dama duende, Matthew Stroud
Matthew D Stroud

The Electronic Comedia, Matthew Stroud
Matthew D Stroud

Love, Friendship, and Deceit in La traición en la amistad by María de Zayas, Matthew Stroud
Matthew D Stroud

Stylistic Considerations of Calderón’s Opera Librettos, Matthew Stroud
Matthew D Stroud

Los Comendadores de Córdoba: Realidad, Manierismo y el Barroco, Matthew Stroud
Matthew D Stroud

La Literatura y la Mujer en el Barroco: Valor, Agravio y Mujer, de Ana Caro, Matthew Stroud
Matthew D Stroud

Homo/Hetero/Social/Sexual: Gila in Vélez’s La serrana de la Vera, Matthew Stroud
Matthew D Stroud

Pedro Calderón de la Barca, Matthew Stroud
Matthew D Stroud

Genre and Lack in the Comedia, Matthew Stroud
Matthew D Stroud

Symbols, Referents, and Theatrical Semantics: The Use of Hands in the Comedia, Matthew Stroud
Matthew D Stroud

Rivalry and Violence in Lope's El castigo sin verganza, Matthew Stroud
Matthew D Stroud

The Desiring Subject and the Promise of Salvation: A Lacanian Study of Sor Juana's El divino Narciso, Matthew Stroud
Matthew D Stroud

De la Biblia hebrea a la comedia española: El clavo de Jael de Mira de Amescua, Matthew Stroud
Matthew D Stroud

The Demand for Love and the Mediation of Desire in La traición en la amistad, Matthew Stroud
Matthew D Stroud

The Comedia as Playscript, Matthew Stroud
Matthew D Stroud

Tirso's Wife-Murder Play: La vida y muerte de Herodes, Matthew Stroud
Matthew D Stroud

La Numancia como auto secular, Matthew Stroud
Matthew D Stroud

The Comedia as Potboiler: Juan de Cabeza’s Matar por zelos su dama, Matthew Stroud
Matthew D Stroud

The Comedia in Amsterdam, 1609-1621: Rodenburgh's Translation of Aguilar's La venganza honrosa, Matthew Stroud
Matthew D Stroud

Clotaldo's Daughter, Matthew Stroud
Matthew D Stroud

Martyrs, Martyrdom, and the Comedia, Matthew Stroud
Matthew D Stroud