Digital Commons @ Trinity

Light and Time in the Narrative Fiction Film, Patrick Keating
Communication Faculty Research

The Video Essay and Classical Hollywood Studies, Patrick Keating
Communication Faculty Research

The Video Essay as Cumulative and Recursive Scholarship, Patrick Keating
Communication Faculty Research

Style and Storytelling in the Hollywood Aesthetic, Patrick Keating
Communication Faculty Research

The Dynamic Frame: Camera Movement in Classical Hollywood, Patrick Keating
Faculty Authored and Edited Books & CDs

Motifs of Movement and Modernity, Patrick Keating
Communication Faculty Research

Artifice and Atmosphere: The Visual Culture of Hollywood Glamour Photography, 1930-1935, Patrick Keating
Communication Faculty Research

What Does It Mean to Say That Cinematography Is Like Painting With Light?, Patrick Keating
Communication Faculty Research

Film Noir and the Culture of Electric Light, Patrick Keating
Communication Faculty Research

Art, Accident, and the Interpretation of the Modern World, Patrick Keating
Communication Faculty Research

The Plot Point, The Darkest Moment, and the Answered Question: Three Ways of Modelling the Three-Quarter-Point, Patrick Keating
Communication Faculty Research

The Volcano and the Barren Hill: Gabriel Figueroa and the Space of Art Cinema, Patrick Keating
Communication Faculty Research

Hollywood Lighting From the Silent Era to Film Noir, Patrick Keating
Faculty Authored and Edited Books & CDs

From the Portrait to the Close-Up: Gender and Technology in Still Photography and Hollywood Cinematography, Patrick Keating
Communication Faculty Research

The Fictional Worlds of Neorealism, Patrick Keating
Communication Faculty Research