Digital Commons @ Trinity

Critiques of the "Novela Rosa": Martín Gaite, Almodóvar, and Etxebarría, Debra J. Ochoa
Debra Ochoa

Memory and Exile in María Teresa León’s Las Peregrinaciones de Teresa (1950), Debra J. Ochoa
Debra Ochoa

Music and Migratory Subjects in Pedro Almodóvar’s Todo Sobre Mi Madre, Hable con Ella, and Volver, Debra J. Ochoa
Debra Ochoa

Re-membering Lesbian Desire in Belle Epoque, Soldados de Salamina, and Las Trece Rosas, Debra J. Ochoa
Debra Ochoa

Gender and Spanish Urban Spaces: Literary and Visual Narratives of the New Millennium, Maria C. DiFrancesco, Debra J. Ochoa
Debra Ochoa

Gender and Spanish Urban Spaces: Literary and Visual Narratives of the New Millennium, Maria C. DiFrancesco, Debra J. Ochoa
Faculty Authored and Edited Books & CDs

Female Subjects in Carmen Martín Gaite’s New York Texts, Debra J. Ochoa
Modern Languages and Literatures Faculty Research

Music and Migratory Subjects in Pedro Almodóvar’s Todo Sobre Mi Madre, Hable con Ella, and Volver, Debra J. Ochoa
Modern Languages and Literatures Faculty Research

The Chica Rara as Observer in Concha Alós’s Los Cien Pájaros, Debra J. Ochoa
Modern Languages and Literatures Faculty Research

Martín Gaite’s Visión de Nueva York: Collages of Private and Public Space, Debra J. Ochoa
Modern Languages and Literatures Faculty Research

Re-membering Lesbian Desire in Belle Epoque, Soldados de Salamina, and Las Trece Rosas, Debra J. Ochoa
Modern Languages and Literatures Faculty Research

New York as a Site of Female Transgression in Martín Gaite’s Caperucita en Manhattan, Debra J. Ochoa
Modern Languages and Literatures Faculty Research

Memory and Exile in María Teresa León’s Las Peregrinaciones de Teresa (1950), Debra J. Ochoa
Modern Languages and Literatures Faculty Research

Critiques of the "Novela Rosa": Martín Gaite, Almodóvar, and Etxebarría, Debra J. Ochoa
Modern Languages and Literatures Faculty Research