Digital Commons @ Trinity

Totality: Abstraction and Meaning in the Art of Barnett Newman, Michael Schreyach
Faculty Authored and Edited Books & CDs

Totality: Abstraction and Meaning in the Art of Barnett Newman, Michael Schreyach
Faculty Authored and Edited Books & CDs

Totality: Abstraction and Meaning in the Art of Barnett Newman, Michael Schreyach
Michael Schreyach

Spacing Expression, Michael Schreyach
Michael Schreyach

Shifting [A Response to Richard Shiff], Michael Schreyach
Art and Art History Faculty Research

Shifting, Michael Schreyach
Michael Schreyach

Never Mind the Pollocks, Michael Schreyach
Michael Schreyach

Moving Vision: Anne Truitt, Paintings 1972-1991, Michael Schreyach
Michael Schreyach

Never Mind the Pollocks, Michael Schreyach
Art and Art History Faculty Research

Introduction to Pollock's Modernism, Michael Schreyach
Michael Schreyach

Barnett Newman's “Sense of Space”: A Noncontextualist Account of Its Perception and Meaning, Michael Schreyach
Michael Schreyach

Barnett Newman, Michael Schreyach
Michael Schreyach

History and Desire: A Short Introduction to the Art of Cy Twombly, Michael Schreyach
Michael Schreyach

Pre-objective Depth in Merleau-Ponty and Jackson Pollock, Michael Schreyach
Michael Schreyach

Re-created Flatness: Hans Hofmann’s Concept of the Picture Plane as a Medium of Expression, Michael Schreyach
Michael Schreyach

Meeting Spaces, Michael Schreyach
Michael Schreyach

Intention and Interpretation in Hans Namuth's Film, Jackson Pollock, Michael Schreyach
Michael Schreyach

John Dewey and Art, Michael Schreyach
Michael Schreyach

Representing “Actuality”, Michael Schreyach
Michael Schreyach

Fixed Ecstasy: Joan Miró in the 1920s, Michael Schreyach
Michael Schreyach

‘I am Nature’: Science and Jackson Pollock, Michael Schreyach
Michael Schreyach

The Crisis of Jackson Pollock’s Mural as a Painting, Michael Schreyach
Michael Schreyach

Unity and Continuity in Jon Lee’s Abstract Woodblock Prints, Michael Schreyach
Michael Schreyach

David Smith's Equivalence, Michael Schreyach
Michael Schreyach

Seeing Noland’s Feeling, Michael Schreyach
Michael Schreyach

Kandinsky: Tactical, Operational, Strategic, Michael Schreyach
Michael Schreyach

Helen Frankenthaler’s Gravity, Michael Schreyach
Michael Schreyach

Moving Vision: Anne Truitt, Paintings 1972-1991, Michael Schreyach
Art and Art History Faculty Research

Spacing Expression, Michael Schreyach
Art and Art History Faculty Research

Beholding Barnett Newman's Adam, Part 2: Immanent Iconography, Michael Schreyach
Art and Art History Faculty Research

Beholding Barnett Newman's Adam, Part 1: Scale and Standing, Michael Schreyach
Art and Art History Faculty Research

Meeting Spaces, Michael Schreyach
Art and Art History Faculty Research

Beholding Barnett Newman's Adam, Part 3: Exposing Creation, Michael Schreyach
Art and Art History Faculty Research

Review of Pollock's Modernism, Michael Schreyach
Michael Schreyach

Pollock's Modernism, Michael Schreyach
Faculty Authored and Edited Books & CDs

History and Desire: A Short Introduction to the Art of Cy Twombly, Michael Schreyach
Faculty Authored and Edited Books & CDs

Introduction to Pollock's Modernism, Michael Schreyach
Art and Art History Faculty Research

The Crisis of Jackson Pollock’s Mural as a Painting, Michael Schreyach
Art and Art History Faculty Research

Kandinsky: Tactical, Operational, Strategic, Michael Schreyach
Art and Art History Faculty Research

Re-created Flatness: Hans Hofmann’s Concept of the Picture Plane as a Medium of Expression, Michael Schreyach
Art and Art History Faculty Research

A Conversation with Michael Fried, Michael Schreyach
Art and Art History Faculty Research

The Meaning of Feeling, Michael Schreyach
Art and Art History Faculty Research

The Crisis of Mural as a Painting, Michael Schreyach
Art and Art History Faculty Research

Representing “Actuality”, Michael Schreyach
Art and Art History Faculty Research

Barnett Newman, Michael Schreyach
Art and Art History Faculty Research

John Dewey and Art, Michael Schreyach
Art and Art History Faculty Research

Pre-objective Depth in Merleau-Ponty and Jackson Pollock, Michael Schreyach
Art and Art History Faculty Research

Barnett Newman's “Sense of Space”: A Noncontextualist Account of Its Perception and Meaning, Michael Schreyach
Art and Art History Faculty Research

Fixed Ecstasy: Joan Miró in the 1920s, Michael Schreyach
Art and Art History Faculty Research

Pollock's Formalist Spaces, Michael Schreyach
Art and Art History Faculty Research

Intention and Interpretation in Hans Namuth's Film, Jackson Pollock, Michael Schreyach
Art and Art History Faculty Research

Unity and Continuity in Jon Lee’s Abstract Woodblock Prints, Michael Schreyach
Art and Art History Faculty Research

‘I am Nature’: Science and Jackson Pollock, Michael Schreyach
Art and Art History Faculty Research

Seeing Noland’s Feeling, Michael Schreyach
Art and Art History Faculty Research

Helen Frankenthaler’s Gravity, Michael Schreyach
Art and Art History Faculty Research

David Smith's Equivalence, Michael Schreyach
Art and Art History Faculty Research