The Expositor publishes new research in the humanities and humanistic social sciences by students of Trinity University.

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Submissions from 2020

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The Postcolonial Tempest, Kaylee Avila, Jessie De Arman, and Stephanie Gredell

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Images of Jewishness in Italian Renaissance Art: Proximity, Agency, Caricature, Raquel Belden

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In the Shadows of Memory: The Politics of Holocaust Memorialization and the Rise of Global Populism, Emily Josephine Bourgeois

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Selfish Plants and Multispecies Creativity: Alternative Narratives in Environmental Discourse, Abigail Davidovna Bowen

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Michelangelo and Tommaso Cavalieri: The Dual Nature of Love and Desire, Isaak Loewen

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Letting Go of the Merry-Go-Round: The Subversion of Recovery Narratives in Addition Films, Alex Motter

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Red-Lavender Colorblindness: Institutionalized Oppression and American Gay Life, Brooke Yung

Submissions from 2019

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A Twelfth-Century Service for Enclosing an Anchorite or Anchoress: Introduction, Latin Text, and Translation, Luke Ayers and Victoria Bahr

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Jane Austen's Artful Buildings: Embodying the Bildungsroman, Natalie Carrier

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"The Supremacy of Human Rights Everywhere": The Struggle against Jim Crow during World War II, Thomas Harvell DeGolier

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Slutty Embellishments: Elizabethan Fashion and Projections of Decadence in Marlowe's Hero and Leander, Brian Holmes

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"What Shall We Call Thee Then?": Defining Femininity Outside the Male Heteronormative World in John Donne's "Sappho to Philaenis", Kristina Reinis

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The Farcical Suicide: Stoicism and the Satyricon, Carl Teegerstrom

Submissions from 2017

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Barons and Yeomen, Venison and Vert: A Comparative Analysis of Magna Carta and A Gest of Robyn Hode in the Context of Forest Law, Kathryn Funderburg

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Blurring the Lines: The Ambiguity of Gender and Sexuality in Ulysses, Samantha Heffner

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Hitler’s “Utopia”: An Analysis of Gleichschaltung in the Third Reich, 1933-1939, Emma Lichtenberg

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The Limits of Scribal Creativity: Rewriting the Cook’s Tale in Bodley 686, Franz Liebster

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Catalogue Entry: St. Catherine and St. Barbara, Mary Martha Meyer Hill

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Visualizing the Unspeakable: Graphic Novels and the Holocaust, Madilyn Pflueger

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A Lifeʼs Worth: Reexamining Wergild in the Anglo-Saxon Royal Law Codes (c. 600-1035), Braden Sides

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Classic Ragtime: An Overlooked American Art Form, Daniel Stephens

Submissions from 2016

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The “Phantom Growth” of Sol Nazerman: Suppression in The Pawnbroker, Abigail Baltuskonis

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Understanding the Problems and Importance of the Turin-Milan Hours: A Study of Art Historical Methods, Araceli Bremauntz

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Decayed Drama, Increased Inclusivity: Beckett’s Theater in the 1960s, Ryan Diller

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Abbot Suger’s St. Denis and the Cult of Relics, Kathryn Funderburg

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Freakish, Feathery, and Foreign: Language of Otherness in the Squire’s Tale, Laurel Meister

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Nietzsche on Language and Our Pursuit of Truth, Le Quyen Pham

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Finding Their Voice: Women Musicians of Baroque Italy, Faith Poynor

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Social Madness in Beat Generation Writing, Megan Reynolds

Submissions from 2015

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Auditory Similes in the Homeric Iliad, Austen Hall

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The Prevalence of Sexual Assault on College Campuses, Brenna Hill

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Ambiguity in The Turn of the Screw, Faith Poynor

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Littlepage's Complaint: The Realist Regionalism of Sarah Orne Jewett, Mason Walker

Submissions from 2014

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Stigmatized Workers and Identity Formation: Spiritual Healers of Botánicas in San Antonio, Erin Drake

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Counting Cucumber Hairs, Paige Roth

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Low-Diversity, High-Density Intercropping: An Intermediary Step to Intercropping Food and Fuel Grasses, Nicole Vreeland

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In Praise of Peculiar Bliss: Adherence and Innovation in John Keats's Personal Theology, Mason Walker

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The Right to Be White: Fighting the Persecution of Albinos in Tanzania, Maddie Winchester