Victoria Aarons and Phyllis Lassner
The Palgrave Handbook of Holocaust Literature and Culture reflects current approaches to Holocaust literature that open up future thinking on Holocaust representation. The chapters consider diverse generational perspectives―survivor writing, second and third generation―and genres―memoirs, poetry, novels, graphic narratives, films, video-testimonies, and other forms of literary and cultural expression. In turn, these perspectives create interactions among generations, genres, temporalities, and cultural contexts. The volume also participates in the ongoing project of responding to and talking through moments of rupture and incompletion that represent an opportunity to contribute to the making of meaning through the continuation of narratives of the past. As such, the chapters in this volume pose options for reading Holocaust texts, offering openings for further discussion and exploration. The inquiring body of interpretive scholarship responding to the Shoah becomes itself a story, a narrative that materially extends our inquiry into that history.
Victoria Aarons and Holli Levitsky
What does it mean to read, and to teach, Jewish American and Holocaust literatures in the early decades of the twenty-first century? New directions and new forms of expression have emerged, both in the invention of narratives and in the methodologies and discursive approaches taken toward these texts. The premise of this book is that despite moving farther away in time, the Holocaust continues to shape and inform contemporary Jewish American writing. Divided into analytical and pedagogical sections, the chapters present a range of possibilities for thinking about these literatures. Contributors address such genres as biography, the graphic novel, alternate history, midrash, poetry, and third-generation and hidden-child Holocaust narratives. Both canonical and contemporary authors are covered, including Michael Chabon, Nathan Englander, Anne Frank, Dara Horn, Joe Kupert, Philip Roth, and William Styron.
Carolyn Black Becker, Nicholas R. Farrell, and Glenn Waller
Exposure Therapy for Eating Disorders is designed to augment existing eating disorder treatment manuals by providing clinicians with practical advice for maximizing the effectiveness of exposure, regardless of clinical background or evidence-based treatment used. Suitable for use with a range of diagnoses, this easy-to-use guide describes the most up to date empirical research on exposure for eating disorders, extrapolating clinical advice from the anxiety disorders literature in order to help busy clinicians become more effective in treating these challenging illnesses. Readers will gain solid understanding of the theoretical underpinnings of exposure therapy, as well as how to utilize this information to explain the rationale for exposure to patients. Specific types of eating disorder exposure are covered in detail, including exposure to food and eating, cue exposure for binge eating, weighing and weight exposure, novel forms of exposure for eating disorders, and more. The book also provides strategies for overcoming obstacles, including institutional resistance to implementation of exposure therapy.
Norma E. Cantu
This collection is a beautifully crafted exploration of life in the Texas-Mexico borderlands. Written by Norma Elia Cantú, the award-winning author of Canícula, this collection carries the perspective of a powerful force in Chicana literature—and literature worldwide.
The poems are a celebration of culture, tradition, and creativity that navigates themes of love, solidarity, and political transformation. Deeply personal yet warmly relatable, these poems flow from Spanish to English gracefully. With Gloria Anzaldúa’s foundational work as an inspiration, Meditación Fronteriza unveils unique images that provide nuance and depth to the narrative of the borderlands.
Poems addressed to talented and influential women such as Gwendolyn Brooks and Adrienne Rich, among others, pour gratitude and recognition into the collection. While many of the poems in Meditación Fronteriza are gentle and inviting, there are also moments that grieve for the state of the borderlands, calling for political resistance.
Norma E. Cantú
Nena leaves Laredo, Texas, and moves to Madrid, Spain, to research the historical roots of traditional fiestas in Laredo. Immersing herself in post-Franco Spain and its rich history, its food, music, and fiestas, Nena finds herself falling for Paco, a Spaniard who works in publishing. Nena's research and experiences teach her about who she is, where she comes from, and what is important to her, but as her work comes to a close, Nena must decide where she can best be true to her entire self: in Spain with Paco or in Laredo, her home, where her job and family await her return.
The camera’s movement in a film may seem straightforward or merely technical. Yet skillfully deployed pans, tilts, dollies, cranes, and zooms can express the emotions of a character, convey attitude and irony, or even challenge an ideological stance. In The Dynamic Frame, Patrick Keating offers an innovative history of the aesthetics of the camera that examines how camera movement shaped the classical Hollywood style.
In careful readings of dozens of films, including Sunrise, The Grapes of Wrath, Rear Window, Sunset Boulevard, and Touch of Evil, Keating explores how major figures such as F. W. Murnau, Orson Welles, and Alfred Hitchcock used camera movement to enrich their stories and deepen their themes. Balancing close analysis with a broader poetics of camera movement, Keating uses archival research to chronicle the technological breakthroughs and the changing division of labor that allowed for new possibilities, as well as the shifting political and cultural contexts that inspired filmmakers to use technology in new ways. An original history of film techniques and aesthetics, The Dynamic Frameshows that the classical Hollywood camera moves not to imitate the actions of an omniscient observer but rather to produce the interplay of concealment and revelation that is an essential part of the exchange between film and viewer.
David W. Lesch
Today Syria is a country known for all the wrong reasons: civil war, vicious sectarianism, and major humanitarian crisis. But how did this once rich, multi-cultural society end up as the site of one of the twenty-first century’s most devastating and brutal conflicts?
In this incisive book, internationally renowned Syria expert David Lesch takes the reader on an illuminating journey through the last hundred years of Syrian history – from the end of the Ottoman empire through to the current civil war. The Syria he reveals is a fractured mosaic, whose identity (or lack thereof) has played a crucial part in its trajectory over the past century. Only once the complexities and challenges of Syria’s history are understood can this pivotal country in the Middle East begin to rebuild and heal.
Kathryn E. O'Rourke
Acclaimed for his designs of the Trinity University campus, the Little Chapel in the Woods, the Texas Instruments Semiconductor Components Division Building, and numerous private houses, O’Neil Ford (1905–1982) was an important twentieth-century architect and a pioneer of modernism in Texas. Collaborating with artists, landscape architects, and engineers, Ford created diverse and enduringly rich works that embodied and informed international developments in modern architecture. His buildings, lectures, and teaching influenced a generation of Texas architects.
O’Neil Ford on Architecture brings together Ford’s major professional writings and speeches for the first time. Revealing the intellectual and theoretical underpinnings of his distinctive modernism, they illuminate his fascination with architectural history, his pioneering uses of new technologies and construction systems, his deep concerns for the landscape and environment, and his passionate commitments to education and civil rights. An interlocutor with titans of the twentieth century, including Louis Kahn and J. Robert Oppenheimer, Ford understood architecture as inseparable from the social, political, and scientific developments of his day. An introductory essay by Kathryn E. O’Rourke provides a critical assessment of Ford’s essays and lectures and repositions him in the history of US architectural modernism. As some of his most important buildings turn sixty, O’Neil Ford on Architecture demonstrates that this Texas modernist deserves to be ranked among the leading midcentury American architects.
Canto Unido, un Encuentro Americano: Los Tiempos y las Canciones de Violeta Parra, Woody Guthrie, Víctor Jara y Phil Ochs
En casi 200 páginas, Canto unido expone los temas en común que hay en las canciones de Violeta Parra y Woody Guthrie y, por otra parte, entre Víctor Jara y Phil Ochs. La denuncia, el compromiso político, la oposición a la guerra y el abordaje de temas como el amor son analizados a través de canciones como “Porque los pobres no tienen”, “El derecho de vivir en paz”, “I’ll be there” y “Changes”, entre otras.
Sobre las coincidencias entre artistas chilenos y estadounidenses, Spener consideró que “tiene mucho que ver con el internacionalismo” y subrayó que “los cantores y artífices políticos de izquierda en Estados Unidos tenían una conciencia internacional, especialmente los que trabajaban por las luchas sindicales y los derechos civiles y en contra de la guerra de Vietnam. Sabían que había mucho activismo y solidaridad en otros países y a través de eso nos venían llegando canciones, obras de arte y poesías”.
“En el libro, por ejemplo, describo cómo Phil Ochs llegó a conocer Chile durante los años de (Salvador) Allende, conoció a Víctor, fueron juntos a cantarle a los mineros de Sewell y los dos tenían canciones sobre Vietnam”, detalló.
Claudia Zayfert and Carolyn Becker
Acclaimed for providing a flexible framework for individualized treatment of posttraumatic stress disorder (PTSD), this empathic guide has now been revised and expanded with 50% new material. The authors show how the case formulation approach enables the practitioner to adapt CBT for clients with different trauma histories, co-occurring problems, and complicating life circumstances. Vivid clinical material illustrates the implementation of exposure therapy, cognitive restructuring, and supplemental interventions, with ample attention to overcoming common obstacles.
As a leader, is it possible to be both successful and humble? Studies show that today’s emerging leaders not only prioritize achievement over humility but also see the two as mutually exclusive. Does this signal an existential crisis for healthcare—an industry that, at its essence, is supposed to embody humility and compassion?
Thankfully, no, according to Intangibles: The Unexpected Traits of High-Performing Healthcare Leaders, which demonstrates that you can embrace humility and still be excellent at your job.
The author, a healthcare professor, executive coach and consultant, gleans evidence and insights from researchers, executives, philosophers, and thought leaders. Intangibles is neither a self-help book offering prescriptive answers nor a leadership-guru memoir looking back at a lifetime of lessons learned. Rather, it offers an engaging exploration of evidence-based practices from an array of leaders in different settings.
The book’s stories, interviews, and research findings will appeal to readers of every stripe and career stage, from undergraduate students in healthcare administration to early careerists and even seasoned CEOs.
Part 1 introduces the four intangible leadership traits: humility, compassion, kindness, and generosity. Part 2 explores each trait in detail, and part 3 tackles the traits through the lenses of gender, age, and self-improvement.
Along the way, the book explores many intriguing questions: Is humility viewed as weakness? Can leaders balance kindness with a strong personality? How do men and women differ in their perceptions of these traits? Are there generational differences in how leadership is perceived? Can these characteristics be learned?
In the end, Intangibles concludes that high-performance in leadership can be achieved when humility is combined with ambition, and compassion with strength.
David W. Lesch
Whether filtered through the media or through the classroom, the Arab-Israeli conflict has become a pervasive--and often misunderstood--subject of our contemporary cultural landscape. In this compelling new edition of The Arab-Israeli Conflict, widely respected scholar David W. Lesch presents the most balanced and accessible account of the conflict. Combining narrative history, primary sources, and informative analyses, The Arab-Israeli Conflict enables students to form their own educated opinions about complex and controversial issues.
David W. Lesch and M. L. Haas
The Middle East and the United States brings together scholars and policy experts to provide an empirical and balanced assessment of US policy in the Middle East primarily from the end of World War I to the present. Carefully edited by David W. Lesch and Mark L. Haas, this text provides a broad and authoritative understanding of the United States’ involvement in the Middle East.
The sixth edition is significantly revised throughout, including a new part structure and part introductions that provide students with greater context for understanding the history of the United States and the Middle East. The five parts cover the watershed moments and major challenges the United States faces in the Middle East, from the Cold War proxy wars and the Arab-Israeli conflict, to the Gulf wars and the upheaval in the region post-Arab uprisings. Three new chapters-on the Golan negotiations, US-Saudi relations, and the US fight against al-Qa'ida and ISIS-make this the most current and comprehensive book on the United States' involvement in the Middle East
Maria Pia Paganelli, Dennis C. Rasmussen, and Craig Smith
This collection brings together an international and interdisciplinary group of Adam Smith and Jean-Jacques Rousseau scholars to explore the key shared concerns of these two great thinkers in politics, philosophy, economics, history and literature.
Rousseau (1712-78) and Smith (1723-90) are two of the foremost thinkers of the European Enlightenment. They both made seminal contributions to moral and political philosophy and shaped some of the key concepts of modern political economy. Among Smith's first published works was a letter to the Edinburgh Review where he discusses Rousseau's Discourse on the Origin of Inequality. Smith continued to engage with Rousseau's work and to explore many shared themes such as sympathy, political economy, sentiment and inequality. Though we have no solid evidence that they met in person, we do know that they shared many friends and interlocutors. In particular, David Hume was Smith's closest intellectual associate and was also the one who arranged for Rousseau's stay in England in 1766.
Diane C. Persellin, Mary B. Daniels, and Mary-Ann Winkelmes
This concise guidebook on desirable difficulties is designed to be a resource for academics who are interested in engaging students according to the findings of peer-reviewed literature and best practices but do not have the time to immerse themselves in the scholarship of teaching and learning.
Intentionally brief, the book is intended to: summarize recent research on five aspects of desirable difficulties; provide applications to the college classroom based on this research; include special sections about teaching strategies that are based on best practices; and offer annotated bibliographies and important citations for faculty who want to pursue additional study. The book will provide a foundation for instructors to teach using evidence-based strategies that will strengthen learning and retention in their classrooms.
In addition to chapters on the desirable difficulties, the book also includes chapters on teaching first-year and at-risk students to embrace this approach, on negotiating student resistance, and on using this approach in teaching online.
Brett M. Rogers and Benjamin Eldon Stevens
In 15 all-new essays, this volume explores how science fiction and fantasy draw on materials from ancient Greece and Rome, 'displacing' them from their original settings-in time and space, in points of origins and genre-and encouraging readers to consider similar 'displacements' in the modern world. Modern examples from a wide range of media and genres-including Philip Pullman's His Dark Materials and the novels of Helen Oyeyemi, the Rocky Horror Picture Show and Hayao Miyazaki's Spirited Away, and the role-playing games Dungeons and Dragons and Warhammer 40K-are brought alongside episodes from ancient myth, important moments from history, and more.
All together, these multifaceted studies add to our understanding of how science fiction and fantasy form important areas of classical reception, not only transmitting but also transmuting images of antiquity. The volume concludes with an inspiring personal reflection from the New York Times-bestselling author of speculative fiction, Catherynne M. Valente, offering her perspective on the limitless potential of the classical world to resonate with experience today.
Building Socialism reveals how East German writers' engagement with the rapidly changing built environment from the mid-1950s to the early 1970s constitutes an untold story about the emergence of literary experimentation in the post-War period. It breaks new ground by exploring the centrality of architecture to a mid-century modernist literature in dialogue with multiple literary and left-wing theoretical traditions and in tune with international assessments of modernist architecture and urban planning.
Design and construction were a central part of politics and everyday life in East Germany during this time as buildings old and new were asked to bear heavy ideological and social burdens. In their novels, stories, and plays, Heiner Müller, Christa Wolf, Günter Kunert, Volker Braun, Günter de Bruyn, and Brigitte Reimann responded to enormous new factory complexes, experimental new towns, the demolition of Berlin's tenements, and the propagation of a pared-down modernist aesthetic in interior design. Writers' representation of the design, construction, and use of architecture formed part of a turn to modernist literary devices, including montage, metaphor, and shifting narrative perspectives. East Germany's literary architecture also represents a sophisticated theoretical reflection on the intractable problems of East Germany's socialist modernity, including the alliance between state socialism and technological modernization, competing commitments to working-class self-organization and the power of specialist planners and designers, and the attempt to create an alternative to fascism.
Jesse Weiner, Benjamin Eldon Stevens, and Brett M. Rogers
Frankenstein and Its Classics is the first collection of scholarship dedicated to how Frankenstein and works inspired by it draw on ancient Greek and Roman literature, history, philosophy, and myth. Presenting twelve new essays intended for students, scholars, and other readers of Mary Shelley's novel, the volume explores classical receptions in some of Frankenstein's most important scenes, sources, and adaptations. Not limited to literature, the chapters discuss a wide range of modern materials-including recent films like Alex Garland's Ex Machina and comics like Matt Fraction's and Christian Ward's Ody-C-in relation to ancient works including Hesiod's Theogony, Aeschylus's Prometheus Bound, Ovid's Metamorphoses, and Apuleius's The Golden Ass.
All together, these studies show how Frankenstein, a foundational work of science fiction, brings ancient thought to bear on some of today's most pressing issues, from bioengineering and the creation of artificial intelligence to the struggles of marginalized communities and political revolution. This addition to the comparative study of classics and science fiction reveals deep similarities between ancient and modern ways of imagining the world-and emphasizes the prescience and ongoing importance of Mary Shelley's immortal novel. As Frankenstein turns 200, its complex engagement with classical traditions is more significant than ever.
Saul Bellow is one of the most influential figures in twentieth-century American literature. Bellow's work explores the most important cultural and social experiences of his era: the impact of the Holocaust, the urban experience of European immigrants from a Jewish perspective, the fraught failures of the Vietnam War, the ideological seductions of Marxism and Modernism, and the changing attitudes concerning gender and race. This Companion demonstrates the complexity of this formative writer by emphasizing the ways in which Bellow's works speak to the changing conditions of American identity and culture from the post-war period to the turn of the twenty-first century. Individual chapters address the major themes of Bellow's work over more than a half-century of masterfully crafted fiction, articulating some of the most significant cultural experiences of the American twentieth century. It provides a comprehensive and accessible overview of a key figure in American literature.
Victoria Aarons and Alan L. Berger
Victoria Aarons and Alan L. Berger show that Holocaust literary representation has continued to flourish well into the twenty-first century—gaining increased momentum even as its perspective shifts, as a third generation adds its voice to the chorus of post-Holocaust writers. In negotiating the complex thematic imperatives and narrative conceits of the literature of third-generation writers, this bold new work examines those structures, tropes, patterns, ironies, disjunctions, and overall tensions that produce a literature that laments unrecoverable loss for a generation removed spatially and temporally from the extended trauma of the Holocaust. Aarons and Berger address evolving notions of “postmemory”; the intergenerational and ongoing transmission of trauma; issues of Jewish cultural identity; inherited memory; the psychological tensions of post-Holocaust Jewish identity; the characteristic tropes of memory and the personalized narrative voice; issues of generational dislocation and anxiety; the recurrent antagonisms of assimilation and historical alienation; the imaginative re-creation and reconstruction of the past; and the future of Holocaust memory and representation.
Rosa Aloisi and James Meernik
This book demonstrates how, after many years of inactivity after the World War II tribunals, judges at the Yugoslav, Rwanda and Sierra Leone tribunals, and to a lesser extent the International Criminal Court, have seized the opportunity to develop international law on war crimes, crimes against humanity and genocide. Meernik and Aloisi argue that judges are motivated by a concern for human rights protection and the legacy of international criminal justice. They have progressively expanded the reach of international law to protect human rights and have used the power of their own words to condemn human rights atrocities. Judges have sentenced the guilty to lengthy and predictable terms in prison to provide justice, deterrence of future violations and even to advance peace and reconciliation. On judgment day, we show that judges have sought to enhance the power of international justice.
Carlos X. Ardavín Trabanco
El 18 de enero de 1994, el ya desaparecido periódico El Siglo informaba a sus lectores, a través de una escueta nota, que el poeta y crítico Antonio Fernández Spencer comenzaría a publicar a partir de ese día su columna El signo y el tiempo en las páginas de opinión y de arte y literatura. Bajo esta rúbrica aparecieron las dos primeras entregas —dedicadas a Pablo Neruda—, pero desde el 25 de enero, con la publicación de la primera “Entrevista imaginaria”, hasta el 20 de marzo de 1995, en que se divulgó el último artículo enviado por el autor —consagrado a Borges—, la columna adoptó el título definitivo de El gallo y la veleta. Durante ese año y medio, Fernández Spencer no dejó de escribir en el citado rotativo hasta casi el final de sus días.
EL GALLO Y LA VELETA. ENSAYOS ÚLTIMOS, es resumen y testamento de la reconocida obra de Antonio Fernández Spencer (1922-1995), poeta y ensayista, miembro destacado del movimiento La Poesía Sorprendida.
Esta edición ha sido realizada por el Dr. Carlos X. Ardavín Trabanco, crítico y profesor asociado de literatura y cultura españolas en la Universidad de Trinity, San Antonio, Tejas. Es autor de una serie de libros entre los que se destacan La pasión meditabunda, La torre de los panoramas y Diccionario personal de literatura dominicana.
Liza Blake and Kathryn Vomero Santos
Summary: "This volume brings together five translations of Aesopian fables that range from the beginning to the end of the English Renaissance. At the centre of the volume is an edition of the entirety of ArthurGoldings manuscript translation of emblematic fables, A Morall Fabletalke (c. 1580s). By situating Goldings text alongside William Caxtons early printed translation from French (1485), Richard Smiths English version of Robert Henrysons Middle Scots Moral Fabillis (1577), John Brinsleys grammar school translation (1617), and John Ogilbys politicized fables translated at the end of the English Civil War (1651), this book shows the wide-ranging forms and functions of the fable during this period. Because Renaissance fables were not only textual but also visual, the edition includes the original images (woodcuts and engravings) designed to accompany the fables. The variety of fable translation practices included in this volume expands our understanding of literary translation in the early modern period. Likewise, the diversity of what gets counted as a fable, as the introduction shows, has implications both for the history of the Aesopian fable, and for the history of reading and thinking about fiction in the English Renaissance"--Back cover.
Kelly Grey Carlisle
A mother’s murder. Her daughter’s redemption. And the complicated past that belongs to them both.
Kelly always knew that her family was different. She knew that most children didn’t live with their grandparents, and their grandparents didn’t own porn stores. Her classmates didn’t sleep on a boat in the marina and she knew their next-door neighbors weren’t drug addicts and johns. What Kelly didn’t know was if she would become part of the dysfunction that surrounded her. Would she sink into the depths of harbor life? Or would she end up alone and dead on Hollywood Boulevard like her mother had years before?
When the grittier aspects of her family history are unearthed, Kelly decides to discover how the place she was raised will define the person she will soon become. To do this, Kelly goes back to the beginning, to a mother she never knew, a twenty-five year old cold case, and two of LA’s most notorious murderers.
We Are All Shipwrecks is Kelly’s story of redemption from tragedy, told with a tenderness towards her family that makes it as much about breaking free as it is preserving the strings that anchor you.
Maria C. DiFrancesco and Debra J. Ochoa
This edited collection examines the synergistic relationship between gender and urban space in post-millennium Spain. Despite the social progress Spain has made extending equal rights to all citizens, particularly in the wake of the Franco regime and radically liberating Transición, the fact remains that not all subjects—particularly, women, immigrants, and queers—possess equal autonomy. The book exposes visible shifts in power dynamics within the nation’s largest urban capitals—Madrid and Barcelona—and takes a hard look at more peripheral bedroom communities as all of these spaces reflect the discontent of a post-nationalistic, economically unstable Spain. As the contributors problematize notions of public and private space and disrupt gender binaries related with these, they aspire to engender discussion around civic status, the administration of space and the place of all citizens in a global world.
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