Home > Tipití > Vol. 19 > Iss. 1 (May 2023)
Keywords
Peter Gow, Mapuche, acculturation, marginalization
Abstract
This paper constitutes a personal exploration of the impact of the work of Peter Gow on my own attempts to think through specific ethnographic problems, both in the Mapuche communities of Southern Chile and the Gaelic communities of Western Scotland. I focus in particular on how Gow’s lesser-known essay “Purús Song” inverts received wisdom about the relationships between center and periphery, and between nation-state and Indigenous people. I see this as one iteration of Gow’s broader aim of letting ethnographic realities transform theoretical complacencies.
Translated Abstract
Este artículo constituye una exploración personal del impacto de la obra de Peter Gow en mis propios intentos de reflexionar sobre problemas etnográficos específicos, tanto en las comunidades mapuche del sur de Chile como en las comunidades gaélicas del oeste de Escocia. Me centro en particular en cómo el ensayo menos conocido de Gow, “Purús Song”, invierte la sabiduría convencional acerca de las relaciones entre centro y periferia, y entre el Estado-nación y los pueblos indígenas. Veo esto como una manifestación del objetivo más amplio de Gow de dejar que las realidades etnográficas transformen las complacencias teóricas.
Recommended Citation
Course, Magnus
(2023).
"Marginal to Whom? Reflections on Gow's "Purús Song"",
Tipití: Journal of the Society for the Anthropology of Lowland South America:
Vol. 19:
Iss.
1, 56-60.
DOI: https://doi.org/10.70845/2572-3626.1341
Available at:
https://digitalcommons.trinity.edu/tipiti/vol19/iss1/5
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