The King’s Body investigates the role of royal bodies, funerals, and graves in English succession debates from the death of Alfred the Great in 899 through the Norman Conquest in 1066. Using contemporary texts and archaeological evidence, Nicole Marafioti reconstructs the political activity that accompanied kings’ burials, to demonstrate that royal bodies were potent political objects which could be used to provide legitimacy to the next generation.
In most cases, new rulers celebrated their predecessor’s memory and honored his corpse to emphasize continuity and strengthen their claims to the throne. Those who rose by conquest or regicide, in contrast, often desecrated the bodies of deposed royalty or relegated them to anonymous graves in attempts to brand their predecessors as tyrants unworthy of ruling a Christian nation. By delegitimizing the previous ruler, they justified their own accession. At a time when hereditary succession was not guaranteed and few accessions went unchallenged, the king’s body was a commodity that royal candidates fought to control.
Stephen S. Farnsworth Mick and Patrick D. Shay
Advances in Health Care Organization Theory, 2nd Edition, introduces students in health administration to the fields of organization theory and organizational behavior and their application to the management of health care organizations. The book explores the major health care developments over the past decade and demonstrates the contribution of organization theory to a deeper understanding of the changes in the delivery system, including the historic passage of the Patient Protection and Affordable Care Act of 2010. Taking both a micro and macro view, editors Stephen S. Mick and Patrick D. Shay, collaborate with a roster of contributing experts to compile a comprehensive volume that covers the latest in organization theory. Topics include:
- Institutional and neo-institutional theory
- Patient-centered practices and organizational culture change
- Design and implementation of patient-centered care management teams
- Hospital-based clusters as new organizational structures
- Application of social network theory to health care
Diane C. Persellin and Mary Blythe Daniels
This concise guidebook is intended for faculty who are interested in engaging their students and developing deep and lasting learning, but do not have the time to immerse themselves in the scholarship of teaching and learning.
Acknowledging the growing body of peer-reviewed literature on practices that can dramatically impact teaching, this intentionally brief book:
* Summarizes recent research on six of the most compelling principles in learning and teaching
* Describes their application to the college classroom
* Presents teaching strategies that are based on pragmatic practices
* Provides annotated bibliographies and important citations for faculty who want to explore these topics further
This guidebook begins with an overview of how we learn, covering such topics such as the distinction between expert and novice learners, memory, prior learning, and metacognition. The body of the book is divided into three main sections each of which includes teaching principles, applications, and related strategies – most of which can be implemented without extensive preparation.
The applications sections present examples of practice across a diverse range of disciplines including the sciences, humanities, arts, and pre-professional programs.
This book provides a foundation for the reader explore these approaches and methods in his or her teaching.
Displays of devout religious faith are very much in evidence in nineteenth-century sentimental novels such as Uncle Tom's Cabin and Little Women, but the precise theological nature of this piety has been little examined. In the first dedicated study of the religious contents of sentimental literature, Claudia Stokes counters the long-standing characterization of sentimental piety as blandly nondescript and demonstrates that these works were in fact groundbreaking, assertive, and highly specific in their theological recommendations and endorsements. The Altar at Home explores the many religious contexts and contents of sentimental literature of the American nineteenth century, from the growth of Methodism in the Second Great Awakening and popular millennialism to the developing theologies of Mormonism and Christian Science.
Through analysis of numerous contemporary religious debates, Stokes demonstrates how sentimental writers, rather than offering simple depictions of domesticity, instead manipulated these scenes to advocate for divergent new beliefs and bolster their own religious authority. On the one hand, the comforting rhetoric of domesticity provided a subtle cover for sentimental writers to advance controversial new beliefs, practices, and causes such as Methodism, revivalism, feminist theology, and even the legitimacy of female clergy. On the other hand, sentimentality enabled women writers to bolster and affirm their own suitability for positions of public religious leadership, thereby violating the same domestic enclosure lauded by the texts.
The Altar at Home offers a fascinating new historical perspective on the dynamic role sentimental literature played in the development of innumerable new religious movements and practices, many of which remain popular today.
Choosing the Jesus Way uncovers the history and religious experiences of the first American Indian converts to Pentecostalism. Focusing on the Assemblies of God denomination, the story begins in 1918, when white missionaries fanned out from the South and Midwest to convert Native Americans in the West and other parts of the country. Drawing on new approaches to the global history of Pentecostalism, Angela Tarango shows how converted indigenous leaders eventually transformed a standard Pentecostal theology of missions in ways that reflected their own religious struggles and advanced their sovereignty within the denomination.
Key to the story is the Pentecostal "indigenous principle," which encourages missionaries to train local leadership in hopes of creating an indigenous church rooted in the culture of the missionized. In Tarango's analysis, the indigenous principle itself was appropriated by the first generation of Native American Pentecostals, who transformed it to critique aspects of the missionary project and to argue for greater religious autonomy. More broadly, Tarango scrutinizes simplistic views of religious imperialism and demonstrates how religious forms and practices are often mutually influenced in the American experience.
Christopher J. Berry, Maria Pia Paganelli, and Craig Smith
Adam Smith (1723-90) is a thinker with a distinctive perspective on human behaviour and social institutions. He is best known as the author of the An Inquiry into the Nature and Causes of the Wealth of Nations (1776). Yet his work is name-checked more often than it is read and then typically it is of an uninformed nature; that he is an apologist for capitalism, a forceful promoter of self-interest, a defender of greed and a critic of any 'interference' in market transactions. To offset this caricature, this Handbook provides an informed portrait. Drawing on the expertise of leading Smith scholars from around the world, it reflects the depth and breadth of Smith's intellectual interests. After an introductory outline chapter on Smith's life and times, the volume comprises 28 new essays divided into seven parts. Five sections are devoted to particular themes in Smith's corpus - his views on Language, Art and Culture; his Moral Philosophy; his Economic thought, his discussions of History and Politics and his analyses of Social Relations. These five parts are framed by one that focuses on the immediate and proximate sources of his thought and the final one that recognizes Smith's status as a thinker of world-historical significance - indicating both his posthumous impact and influence and his contemporary resonance. While each chapter is a discrete contribution to scholarship, the Handbook comprises a composite whole to enable the full range of Smith's work to be appreciated.
Poet Major Jackson refers to the poems in Jenny Browne's newest collection as "angel-fisted lyrics," and this evocative phrase captures both the tough and rapturous sides of her work. With poems of memory and narrative, thought and feeling, Jenny Browne has shaped another powerful book. Poet and professor Stephen Burt of Harvard University writes, "Her poems retain the unpredictability not of a roulette wheel or a supernova, but of a quirky, wise friend in another city, one whose reactions surprise us even once we know her well enough to trust her well."
It is hard to imagine a good life without friendship. But what precisely makes friendship so valuable? And what is friendship at all? What unites friends and distinguishes them from others? Is the preference we give to friends rationally and morally justifiable? This collection of thirteen new essays on the philosophy of friendship considers such questions. In particular, it offers new interpretations of the answers given by famous classic philosophers such as Plato, Aristotle and Kant and provides fresh answers by leading contemporary philosophers. It is organized around five topics: the nature of friendship, the unity of friendship, friendship and reason, friendship and morality, and the place of friendship in a good life.
Rubén R. Dupertuis and Todd Penner
The book of Acts has traditionally been situated within a first-century setting, offering an apparently straightforward account of the origins and spread of Christianity. Engaging Early Christian History presents a significant departure for Christian origins studies by setting aside the explicitly historical questions commonly asked of the Acts of the Apostles and, instead, situating the text within the context of second-century history and culture. The volume extends scholarly debate beyond the analysis of pure historical debates and concerns to focus on the associations between Acts and the diverse contemporaneous texts, writers, and broader cultural phenomena in the second-century world of Christians, Romans, Greeks, and Jews. Examining the reception of Acts—and of Christian myth-making more generally—the volume explores the second century as a formative epoch for Christian storytelling, historical reimaginings, and reconfigurations of religious and social identities.
M. L. Haas and David W. Lesch
The Arab Spring unexpectedly developed in late 2010 with peaceful protests in a number of Arab countries against long-standing, entrenched regimes, and rapid political change across the region ensued. The Arab Spring: Change and Resistance in the Middle East examines these revolutions and their aftermath. Noted authorities writing specifically for this volume contribute chapters focusing on countries directly or indirectly involved, illuminating the immediate and long-term impacts of the revolutions in the region and throughout the world. A thoughtful concluding chapter ties together key themes, while also delineating persistent myths and misinterpretations. This is an essential volume for students and scholars of the Middle East, as well as anyone seeking a fuller understanding of region and what may lie ahead.
Benjamin Eldon Stevens
Both passionate and artful, learned and bawdy, Catullus is one of the best-known and critically significant poets from classical antiquity. An intriguing aspect of his poetry that has been neglected by scholars is his interest in silence, from the pauses that shape everyday conversation to linguistic taboos and cultural suppressions and the absolute silence of death.
In Silence in Catullus, Benjamin Eldon Stevens offers fresh readings of this Roman poet's most important works, focusing on his purposeful evocations of silence. This deep and varied "poetics of silence" takes on many forms in Catullus's poetic corpus: underscoring the lyricism of his poetry; highlighting themes of desire, immortality-in-culture, and decay; accenting its structures and rhythms; and, Stevens suggests, even articulating underlying philosophies. Combining classical philological methods, contemporary approaches to silence in modern literature, and the most recent Catullan scholarship, this imaginative examination of Catullus offers a new interpretation of one of the ancient world's most influential and inimitable voices.
William F. Trench
William F. Trench
Written in a clear and accurate language that students can understand, Trench's new book minimizes the number of explicitly stated theorems and definitions. Instead, he deals with concepts in a conversational style that engages students. He includes more than 250 illustrated, worked examples for easy reading and comprehension. One of the book's many strengths is its problems, which are of consistently high quality. Trench includes a thorough treatment of boundary-value problems and partial differential equations and has organized the book to allow instructors to select the level of technology desired. This has been simplified by using symbols, C and L, to designate the level of technology. C problems call for computations and/or graphics, while L problems are laboratory exercises that require extensive use of technology. Informal advice on the use of technology is included in several sections and instructors who prefer not to emphasize technology can ignore these exercises without interrupting the flow of material. (From the 1st edition)
William F. Trench
Using a clear and informal approach, this book introduces readers to a rigorous understanding of mathematical analysis and presents challenging math concepts as clearly as possible. This book is intended for those who want to gain an understanding of mathematical analysis and challenging mathematical concepts.
A new look at the strategic and managerial issues surrounding intellectual property (IP) and international commercialization in the international market. An updated version which provides practitioners and analysts with guidelines and an action framework on how to benefit from IP.
El Mundo Zurdo 2: Selected Works from the 2010 Meeting of The Society for the Study of Gloria Anzaldúa.
Sonia Saldivar-Hull, Norma Alarcon, and Rita Urquijo-Ruiz
A multidisciplinary collection of essays and poetry in response to the work and life of Chicana queer author, Gloria E. Anzaldúa.
Tracing the configuration of the slapstick, destitute Peladita/Peladito and the Pachuca/Pachuco (depicted in flashy zoot suits) from 1928 to 2004, Wild Tongues is an ambitious, extensive examination of social order in Mexican and Chicana/o cultural productions in literature, theater, film, music, and performance art.
From the use of the Peladita and the Peladito as stock characters who criticized various aspects of the Mexican government in the 1920s and 1930s to contemporary performance art by María Elena Gaitán and Dan Guerrero, which yields a feminist and queer-studies interpretation, Rita Urquijo-Ruiz emphasizes the transnational capitalism at play in these comic voices. Her study encompasses both sides of the border, including the use of the Pachuca and the Pachuco as anti-establishment, marginal figures in the United States. The result is a historically grounded, interdisciplinary approach that reimagines the limitations of nation-centered thinking and reading.
Rosana Blanco-Cano and Rita Urquijo-Ruiz
A multidisciplinary study of Mexican and Chicana/o cultural productions through essays, film, visual, art, theater/performance, and literature.
Theodore Gracyk and Andrew Kania
The Routledge Companion to Philosophy and Music is an outstanding guide and reference source to the key topics, subjects, thinkers and debates in philosophy and music. Over fifty entries by an international team of contributors are organised into six clear sections:
- general issues
- kinds of music
- music, philosophy and related disciplines
Timothy M. O'Sullivan
Walking served as an occasion for the display of power and status in ancient Rome, where great men paraded with their entourages through city streets and elite villa owners strolled with friends in private colonnades and gardens. In this first book-length treatment of the culture of walking in ancient Rome, Timothy O'Sullivan explores the careful attention which Romans paid to the way they moved through their society. He employs a wide range of literary, artistic, and architectural evidence to reveal the crucial role that walking played in the performance of social status, the discourse of the body and the representation of space. By examining how Roman authors depict walking, this book sheds new light on the Romans themselves - not only how they perceived themselves and their experience of the world, but also how they drew distinctions between work and play, mind and body, and republic and empire.
Corinne Ondine Pache
From Hesiod's first person account of his encounters with the Muses on Mount Helikon to Theokritos' nymphs, love between goddesses and mortal men provides the ancient Greeks with a way of articulating both the genealogical and cultic connection to their gods and to their past. A Moment's Ornament examines the theme of nympholepsy--the experience of being "seized" by a nymph or a goddess--in ancient Greek cult and poetry from the Archaic to the Hellenistic period. In poetry, this topos, which is ubiquitous in many of the most well-known ancient Greek sources, focuses on the figure of the goddess, or nymph, who falls in love with a mortal man and subsequently bears a mortal child. The theme also finds its way in ritual as stories of encounters between divinities and mortal men give rise to sanctuaries centering on nymphs and nympholepts. Beyond the individual dimension of the nympholeptic experience, these narratives are also integrated within the community through both poetry and shrines. Nympholeptic narratives thus articulate key elements of the bond between mortals and immortals and the connection between myth and ritual in ancient Greece. Both the cave sanctuaries founded by ancient nympholepts and the poets' narratives of love between goddesses and their mortal lovers function as "a moment's ornament" by preserving the memory of an encounter with the otherworldly at the intersection between myth and cult.
Modernist Fiction and News characterizes modernism in terms of its intimate, creative, and experimental relationship with a newly reorganized and rapidly expanding news industry. Writers such as Gertrude Stein, James Joyce, John Dos Passos, and Virginia Woolf engage with the discourse and narratives of the news in order to establish an experimental space in which to represent experience with the hope of greater immediacy and faithfulness to reality.
El Mundo Zurdo: Selected Works from the Meetings of The Society for the Study of Gloria Anzaldúa 2007 & 2009
Norma E. Cantu, Christina L. Gutierrez, Norma Alarcon, and Rita Urquijo-Ruiz
This collection of essays, poetry, and artwork brings together scholarly and creative responses inspired by the life and work of Gloria Anzaldúa. The diverse voices represented in this collection are gathered from the 2007 national conference and 2009 international conference of the Society for the Study of Gloria Anzaldúa (SSGA). More than 30 scholars, activists, poets, and artists contributed to EL MUNDO ZURDO, whose release coincides with the SSGA's second annual international conference in San Antonio, Texas.
Aaron A. Delwiche, Evan Barnett, Andrew Coe, Patrick Crim, Kendra Doshier, Christopher Dudley, Ender Ergun, Ashley Funkhouser, Cole Gray, Sarah Hellman, John Key, Christopher Kradle, Patrick Lynch, Shepherd McAllister, Mark McCullough, Justin Michaelson, Alyson Miller, Robin Murdoch, Aaron Passer, Maricela Rios, Laura Schluckebier, Raelle Smiley, Andrew Truelove, Richard Bartle, Annalee Newitz, Ekaterina Sedia, Steven Shaviro, and R.U. Sirius
Just as the printing press gave rise to the nation-state, emerging technologies are reshaping collective identities and challenging our understanding of what it means to be human.
Should citizens have the right to be truly anonymous on-line? Should we be concerned about the fact that so many people are choosing to migrate to virtual worlds? Are injectible microscopic radio-frequency ID chips a blessing or a curse? Is the use of cognitive enhancing nootropics a human right or an unforgivable transgression? Should genomic data about human beings be hidden away with commercial patents or open-sourced like software? Should hobbyists known as "biohackers" be allowed to experiment with genetic engineering in their home laboratories?
The time-frame for acting on such questions is relatively short, and these decisions are too important to be left up to a small handful of scientists and policymakers. If democracy is to continue as a viable alternative to technocracy, the average citizen must become more involved in these debates. To borrow a line from the computer visionary Ted Nelson, all of us can -- and must -- understand technology now.
Challenging the popular stereotype of hackers as ciminal sociopaths, reality hackers uphold the basic tenets of what Steven Levy (1984) terms the "hacker ethic." These core principles include a commitment to: sharing, openness, decentralization, public access to information, and the use of new technologies to make the world a better place.
Lighting performs essential functions in Hollywood films, enhancing the glamour, clarifying the action, and intensifying the mood. Examining every facet of this understated art form, from the glowing backlights of the silent period to the shaded alleys of film noir, Patrick Keating affirms the role of Hollywood lighting as a distinct, compositional force.
Closely analyzing Girl Shy (1924), Anna Karenina (1935), Only Angels Have Wings (1939), and T-Men(1947), along with other brilliant classics, Keating describes the unique problems posed by these films and the innovative ways cinematographers handled the challenge. Once dismissed as crank-turning laborers, these early cinematographers became skillful professional artists by carefully balancing the competing demands of story, studio, and star. Enhanced by more than one hundred illustrations, this volume counters the notion that style took a backseat to storytelling in Hollywood film, proving that the lighting practices of the studio era were anything but neutral, uniform, and invisible. Cinematographers were masters of multifunctionality and negotiation, honing their craft to achieve not only realistic fantasy but also pictorial artistry.
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