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  • A Moment's Ornament: The Poetics of Nympholepsy in Ancient Greece
  • Modernist Fiction and News: Representing Experience in the Early Twentieth Century
  • Reality Hackers
 
  • Walking in Roman Culture by Timothy O'Sullivan

    Walking in Roman Culture

    Timothy O'Sullivan

    Walking served as an occasion for the display of power and status in ancient Rome, where great men paraded with their entourages through city streets and elite villa owners strolled with friends in private colonnades and gardens. In this first book-length treatment of the culture of walking in ancient Rome, Timothy O'Sullivan explores the careful attention which Romans paid to the way they moved through their society. He employs a wide range of literary, artistic, and architectural evidence to reveal the crucial role that walking played in the performance of social status, the discourse of the body and the representation of space. By examining how Roman authors depict walking, this book sheds new light on the Romans themselves - not only how they perceived themselves and their experience of the world, but also how they drew distinctions between work and play, mind and body, and republic and empire.

  • A Moment's Ornament: The Poetics of Nympholepsy in Ancient Greece by Corinne Ondine Pache

    A Moment's Ornament: The Poetics of Nympholepsy in Ancient Greece

    Corinne Ondine Pache

    From Hesiod's first person account of his encounters with the Muses on Mount Helikon to Theokritos' nymphs, love between goddesses and mortal men provides the ancient Greeks with a way of articulating both the genealogical and cultic connection to their gods and to their past. A Moment's Ornament examines the theme of nympholepsy--the experience of being "seized" by a nymph or a goddess--in ancient Greek cult and poetry from the Archaic to the Hellenistic period. In poetry, this topos, which is ubiquitous in many of the most well-known ancient Greek sources, focuses on the figure of the goddess, or nymph, who falls in love with a mortal man and subsequently bears a mortal child. The theme also finds its way in ritual as stories of encounters between divinities and mortal men give rise to sanctuaries centering on nymphs and nympholepts. Beyond the individual dimension of the nympholeptic experience, these narratives are also integrated within the community through both poetry and shrines. Nympholeptic narratives thus articulate key elements of the bond between mortals and immortals and the connection between myth and ritual in ancient Greece. Both the cave sanctuaries founded by ancient nympholepts and the poets' narratives of love between goddesses and their mortal lovers function as "a moment's ornament" by preserving the memory of an encounter with the otherworldly at the intersection between myth and cult.

  • Modernist Fiction and News: Representing Experience in the Early Twentieth Century by David Rando

    Modernist Fiction and News: Representing Experience in the Early Twentieth Century

    David Rando

    Modernist Fiction and News characterizes modernism in terms of its intimate, creative, and experimental relationship with a newly reorganized and rapidly expanding news industry. Writers such as Gertrude Stein, James Joyce, John Dos Passos, and Virginia Woolf engage with the discourse and narratives of the news in order to establish an experimental space in which to represent experience with the hope of greater immediacy and faithfulness to reality.

  • Reality Hackers by Aaron A. Delwiche, Evan Barnett, Andrew Coe, Patrick Crim, Kendra Doshier, Christopher Dudley, Ender Ergun, Ashley Funkhouser, Cole Gray, Sarah Hellman, John Key, Christopher Kradle, Patrick Lynch, Shepherd McAllister, Mark McCullough, Justin Michaelson, Alyson Miller, Robin Murdoch, Aaron Passer, Maricela Rios, Laura Schluckebier, Raelle Smiley, Andrew Truelove, Richard Bartle, Annalee Newitz, Ekaterina Sedia, Steven Shaviro, and R.U. Sirius

    Reality Hackers

    Aaron A. Delwiche, Evan Barnett, Andrew Coe, Patrick Crim, Kendra Doshier, Christopher Dudley, Ender Ergun, Ashley Funkhouser, Cole Gray, Sarah Hellman, John Key, Christopher Kradle, Patrick Lynch, Shepherd McAllister, Mark McCullough, Justin Michaelson, Alyson Miller, Robin Murdoch, Aaron Passer, Maricela Rios, Laura Schluckebier, Raelle Smiley, Andrew Truelove, Richard Bartle, Annalee Newitz, Ekaterina Sedia, Steven Shaviro, and R.U. Sirius

    Just as the printing press gave rise to the nation-state, emerging technologies are reshaping collective identities and challenging our understanding of what it means to be human.

    Should citizens have the right to be truly anonymous on-line? Should we be concerned about the fact that so many people are choosing to migrate to virtual worlds? Are injectible microscopic radio-frequency ID chips a blessing or a curse? Is the use of cognitive enhancing nootropics a human right or an unforgivable transgression? Should genomic data about human beings be hidden away with commercial patents or open-sourced like software? Should hobbyists known as "biohackers" be allowed to experiment with genetic engineering in their home laboratories?

    The time-frame for acting on such questions is relatively short, and these decisions are too important to be left up to a small handful of scientists and policymakers. If democracy is to continue as a viable alternative to technocracy, the average citizen must become more involved in these debates. To borrow a line from the computer visionary Ted Nelson, all of us can -- and must -- understand technology now.

    Challenging the popular stereotype of hackers as ciminal sociopaths, reality hackers uphold the basic tenets of what Steven Levy (1984) terms the "hacker ethic." These core principles include a commitment to: sharing, openness, decentralization, public access to information, and the use of new technologies to make the world a better place.

 
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