Saul Bellow is one of the most influential figures in twentieth-century American literature. Bellow's work explores the most important cultural and social experiences of his era: the impact of the Holocaust, the urban experience of European immigrants from a Jewish perspective, the fraught failures of the Vietnam War, the ideological seductions of Marxism and Modernism, and the changing attitudes concerning gender and race. This Companion demonstrates the complexity of this formative writer by emphasizing the ways in which Bellow's works speak to the changing conditions of American identity and culture from the post-war period to the turn of the twenty-first century. Individual chapters address the major themes of Bellow's work over more than a half-century of masterfully crafted fiction, articulating some of the most significant cultural experiences of the American twentieth century. It provides a comprehensive and accessible overview of a key figure in American literature.
Victoria Aarons and Alan L. Berger
Victoria Aarons and Alan L. Berger show that Holocaust literary representation has continued to flourish well into the twenty-first century—gaining increased momentum even as its perspective shifts, as a third generation adds its voice to the chorus of post-Holocaust writers. In negotiating the complex thematic imperatives and narrative conceits of the literature of third-generation writers, this bold new work examines those structures, tropes, patterns, ironies, disjunctions, and overall tensions that produce a literature that laments unrecoverable loss for a generation removed spatially and temporally from the extended trauma of the Holocaust. Aarons and Berger address evolving notions of “postmemory”; the intergenerational and ongoing transmission of trauma; issues of Jewish cultural identity; inherited memory; the psychological tensions of post-Holocaust Jewish identity; the characteristic tropes of memory and the personalized narrative voice; issues of generational dislocation and anxiety; the recurrent antagonisms of assimilation and historical alienation; the imaginative re-creation and reconstruction of the past; and the future of Holocaust memory and representation.
Mark Lewis and Lisa L. Lacher
Mark Lewis’ Introduction to the Art of Programming Using Scala was the first textbook to use Scala for introductory CS courses. Fully revised and expanded, the new edition of this popular text has been divided into two books. Object-Orientation, Abstraction, and Data Structures Using Scala, Second Edition is intended to be used as a textbook for a second or third semester course in Computer Science.
The Scala programming language provides powerful constructs for expressing both object orientation and abstraction. This book provides students with these tools of object orientation to help them structure solutions to larger, more complex problems, and to expand on their knowledge of abstraction so that they can make their code more powerful and flexible. The book also illustrates key concepts through the creation of data structures, showing how data structures can be written, and the strengths and weaknesses of each one. Libraries that provide the functionality needed to do real programming are also explored in the text, including GUIs, multithreading, and networking.
The book is filled with end-of-chapter projects and exercises, and the authors have also posted a number of different supplements on the book website. Video lectures for each chapter in the book are also available on YouTube. The videos show construction of code from the ground up and this type of "live coding" is invaluable for learning to program, as it allows students into the mind of a more experienced programmer, where they can see the thought processes associated with the development of the code.
This book explores how journalists at local metro papers in a south-western China metropolis give meaning to their work and how these meanings are shaped by the specific social environment within which these journalists operate. These metro papers provide the bulk of daily news to the general public in China, yet are often understudied compared to the country’s party news outlets. Informed by fieldwork in four metro newspapers, the book puts forward a grounded theory for exploring journalists’ occupational culture: the aspiration-frustration-reconciliation framework.
This book proposes that new music technologies attract unconscious desires for socialism and collectivity, enabling millions of people living under capitalism to dream of repressed social alternatives. Grounded in the philosophical writings of Ernst Bloch and Walter Benjamin, the book examines file sharing technologies, streaming services, and media players, as well as their historical antecedents, such as the player piano, cassette tape, radio and compact disc, alongside interpretations of fiction, memoir, and albums. Through the concept of wish images―the unconscious hopes and desires for social alternatives that gather around new technologies―the book identifies the repressed pre- and post-capitalist urges that attend our music technologies. While these desires typically remain unconscious and tend to pass away not only unmet but also unrecognized, Hope and Wish Image in Music Technology attempts to bring wishes for social alternatives to the surface at an auspicious moment of technological transition.
This collection of new essays examines third-generation Holocaust narratives and the inter-generational transmission of trauma and memory. This collection demonstrates the ways in which memory of the Holocaust has been passed along inter-generationally from survivors to the second-generation—the children of survivors—to a contemporary generation of grandchildren of survivors—those writers who have come of literary age at a time that will mark the end of direct survivor testimony. This collection, in drawing upon a variety of approaches and perspectives, suggests the rich and fluid range of expression through which stories of the Holocaust are transmitted to and by the third generation, who have taken on the task of bearing witness to the enormity of the Holocaust and the ways in which this pronounced event has shaped the lives of the descendants of those who experienced the trauma first-hand. The essays collected—essays written by renowned scholars in Holocaust literature, philosophy, history, and religion as well as by third-generation writers—show that Holocaust literary representation has continued to flourish well into the twenty-first century, gaining increased momentum as a third generation of writers has added to the growing corpus of Holocaust literature. Here we find a literature that laments unrecoverable loss for a generation removed spatially and temporally from the extended trauma of the Holocaust. The third-generation writers, in writing against a contemporary landscape of post-apocalyptic apprehension and anxiety, capture and penetrate the growing sense of loss and the fear of the failure of memory. Their novels, short stories, and memoirs carry the Holocaust into the twenty-first century and suggest the future of Holocaust writing for extended generations.
Thornton Wilder’s The Skin of Our Teeth (1942) telescopes an audacious stretch of western history and mythology into a family drama, showing how the course of human events operates like theatre itself: constantly mutable, vanishing and beginning again.
Kyle Gillette explores Wilder’s extraordinary play in three parts. Part I unpacks the play’s singular yet deeply interconnected place in theatre history, comparing its metatheatrics to those of Stein, Pirandello and Brecht, and finding its anticipation of American fantasias in the works of Vogel and Kushner. Part II turns to the play’s many historic and mythic sources, and examines its concentration of western progress and power into the model of a white, American upper-middle-class nuclear family. Part III takes a longer view, tangling with the play’s philosophical stakes.
Gillette magnifies the play’s ideas and connections, teasing out historical, theoretical and philosophical questions on behalf of readers, scholars and audience members alike.
The Early History of Embodied Cognition 1740-1920: The Lebenskraft-Debate and Radical Reality in German Science, Music, and Literature
John A. McCarthy, Stephanie M. Hilger, Heather I. Sullivan, and Nicholas Saul
This pioneering book evaluates the early history of embodied cognition. It explores for the first time the life-force (Lebenskraft) debate in Germany, which was manifest in philosophical reflection, medical treatise, scientific experimentation, theoretical physics, aesthetic theory, and literary practice esp. 1740-1920. The history of vitalism is considered in the context of contemporary discourses on radical reality (or deep naturalism). We ask how animate matter and cognition arise and are maintained through agent-environment dynamics (Whitehead) or performance (Pickering). This book adopts a nonrepresentational approach to studying perception, action, and cognition, which Anthony Chemero designated radical embodied cognitive science. From early physiology to psychoanalysis, from the microbiome to memetics, appreciation of body and mind as symbiotically interconnected with external reality has steadily increased. Leading critics explore here resonances of body, mind, and environment in medical history (Reil, Hahnemann, Hirschfeld), science (Haller, Goethe, Ritter, Darwin, L. Büchner), musical aesthetics (E.T.A. Hoffmann, Wagner), folklore (Grimm), intersex autobiography (Baer), and stories of crime and aberration (Nordau, Döblin). Science and literature both prove to be continually emergent cultures in the quest for understanding and identity. This book will appeal to intertextual readers curious to know how we come to be who we are and, ultimately, how the Anthropocene came to be.
An estimated twenty million Muslims now reside in Europe, mostly as a result of large-scale postwar immigration. In The Muslim Question in Europe, Peter O'Brien challenges the popular notion that the hostilities concerning immigration—which continues to provoke debates about citizenship, headscarves, secularism, and terrorism—are a clash between "Islam and the West." Rather, he explains, the vehement controversies surrounding European Muslims are better understood as persistent, unresolved intra-European tensions.
O'Brien contends that the best way to understand the politics of state accommodation of European Muslims is through the lens of three competing political ideologies: liberalism, nationalism, and postmodernism. These three broadly understood philosophical traditions represent the most influential normative forces in the politics of immigration in Europe today. He concludes that Muslim Europeans do not represent a monolithic anti-Western bloc within Europe. Although they vehemently disagree among themselves, it is along the same basic liberal, nationalist, and postmodern contours as non-Muslim Europeans.
Kathryn E. O'Rourke
Mexico City became one of the centers of architectural modernism in the Americas in the first half of the twentieth century. Invigorated by insights drawn from the first published histories of Mexican colonial architecture, which suggested that Mexico possessed a distinctive architecture and culture, beginning in the 1920s a new generation of architects created profoundly visual modern buildings intended to convey Mexico’s unique cultural character. By midcentury these architects and their students had rewritten the country’s architectural history and transformed the capital into a metropolis where new buildings that evoked pre-conquest, colonial, and International Style architecture coexisted.
Through an exploration of schools, a university campus, a government ministry, a workers’ park, and houses for Diego Rivera and Luis Barragán, Kathryn O’Rourke offers a new interpretation of modern architecture in the Mexican capital, showing close links between design, evolving understandings of national architectural history, folk art, and social reform. This book demonstrates why creating a distinctively Mexican architecture captivated architects whose work was formally dissimilar, and how that concern became central to the profession.
Sarah K. Pinnock
What do we learn about death from the Holocaust and how does it impact our responses to mortality today?
Facing Death: Confronting Mortality in the Holocaust and Ourselves brings together the work of eleven Holocaust and genocide scholars who address these difficult questions, convinced of the urgency of further reflection on the Holocaust as the last survivors pass away. The volume is distinctive in its dialogical and introspective approach, where the contributors position themselves to confront their own impending death while listening to the voices of victims and learning from their life experiences. Broken into three parts, this collection engages with these voices in a way that is not only scholarly, but deeply personal.
The first part of the book engages with Holocaust testimony by drawing on the writings of survivors and witnesses such as Elie Wiesel, Jean Améry, and Charlotte Delbo, including rare accounts from members of the Sonderkommando. Reflections of post-Holocaust generations-the children and grandchildren of survivors-are housed in the second part, addressing questions of remembrance and memorialization. The concluding essays offer intimate self-reflection about how engagement with the Holocaust impacts the contributors' lives, faiths, and ethics.
In an age of continuing atrocities, this volume provides careful attention to the affective dimension of coping with death, in particular, how loss and grief are deferred or denied, narrated, and passed along.
In this provocative study, Michael Soto examines African American cultural forms through the lens of census history to tell the story of how U.S. officialdom—in particular the Census Bureau—placed persons of African descent within a shifting taxonomy of racial difference, and how African American writers and intellectuals described a far more complex situation of interracial social contact and intra-racial diversity. What we now call African American identity and the literature that gives it voice emerged out of social, cultural, and intellectual forces that fused in Harlem roughly one century ago.
Measuring the Harlem Renaissance sifts through a wide range of authors and ideas—from W. E. B. Du Bois, Rudolph Fisher, and Nella Larsen to Zora Neale Hurston, Langston Hughes, and Wallace Thurman, and from census history to the Great Migration—to provide a fresh take on late nineteenth—and twentieth—century literature and social thought. Soto reveals how Harlem came to be known as the “cultural capital of black America,” and how these ideas left us with unforgettable fiction and poetry.
The activist anthem "We Shall Not Be Moved" expresses resolve in the face of adversity; it helps members of social movements persevere in their struggles to build a better world. The exact origins of the song are unknown, but it appears to have begun as a Protestant revival song sung by rural whites and African slaves in the southeastern United States in the early nineteenth century. The song was subsequently adopted by U.S. labor and civil rights activists, students and workers opposing the Franco dictatorship in Spain, and by Chilean supporters of that country's socialist government in the early 1970s.
In his fascinating biography, We Shall Not Be Moved, David Spener details the history and the role the song has played in each of the movements in which it has been sung. He analyzes its dissemination, function, and meaning through a number of different sociological and anthropological lenses to explore how songs can serve as an invaluable resource to participants in movements for social change.
Victoria Aarons, Avinoam J. Patt, and Mark Shechner
The Edward Lewis Wallant Award was founded by the family of Dr. Irving and Fran Waltman in 1963 and is supported by the University of Hartford's Maurice Greenberg Center for Judaic Studies. It is given annually to an American writer, preferably early in his or her career, whose fiction is considered significant for American Jews. In The New Diaspora: The Changing Landscape of American Jewish Fiction,editors Victoria Aarons, Avinoam J. Patt, and Mark Shechner, who have all served as judges for the award, present vital, original, and wide-ranging fiction by writers whose work has been considered or selected for the award. The resulting collection highlights the exemplary place of the Wallant Award in Jewish literature.
With a mix of stories and novel chapters, The New Diaspora reprints selections of short fiction from such well-known writers as Rebecca Goldstein, Nathan Englander, Jonathan Safran Foer, Dara Horn, and Julie Orringer. The first half of the anthology presents pieces by winners of the Wallant award, focusing on the best work of recent winners. The New Diaspora's second half reflects the evolving landscape of American Jewish fiction over the last fifty years, as many authors working in America are not American by birth, and their fiction has become more experimental in nature.
This collection offers an expanded canon of Jewish writing in North America and foregrounds a vision of its variety, its uniqueness, its cosmopolitanism, and its evolving perspectives on Jewish life. It celebrates the continuing vitality and fresh visions of contemporary Jewish writing, even as it highlights its debt to history and embrace of collective memory. Readers of contemporary American fiction and Jewish cultural history will find The New Diaspora enlightening and deeply engaging.
Plotinus on the Soul is a study of Plotinus' psychology, which is arguably the most sophisticated Platonist theory of the soul in antiquity. Plotinus offers a Platonist response to Aristotelian and Stoic conceptions of the soul that is at the same time an innovative interpretation of Plato's Timaeus. He considers the notion of the soul to be crucial for explaining the rational order of the world. To this end, he discusses not only different types of individual soul (such as the souls of the stars, and human and animal souls) but also an entity that he was the first to introduce into philosophy: the so-called hypostasis Soul. This is the first study to provide a detailed explanation of this entity, but it also discusses the other types of soul, with an emphasis on the human soul, and explains Plotinus' original views on rational thought and its relation to experience.
Stephen L. Field
The Zhouyi, Bronze Age progenitor to the Yijing (I Ching), or Book of Changes, was a divination manual created and utilized by the early rulers of the Zhou dynasty (founded 1046 BCE). This new translation dispenses with 20th century attempts to discredit tradition and endeavors to recover the context of its early Zhou dynasty origins. As such, interpretation of its language is based strictly upon pre-Confucian sources to avoid the anachronistic readings that accrued to the text in its evolution from a book of divination to a book of philosophy. For the first time in the book's translation history, its judgment and line texts have been clearly labeled according to their content - either omen, counsel, or prognostication - in order to clarify their divinatory function. Furthermore, each hexagram is accompanied by a line-by-line commentary providing detailed background for the situations presented in the texts and explicating metaphorical language and technical syntax. The general public will appreciate the narrative cohesion of the commentaries, while the specialist will welcome the appended Chinese text. Finally, the book also provides the reader with explanations of the myth, legend, and history in the formative stages of the Zhouyi's creation and gives comprehensive information on how to cast the oracle and interpret the resulting reading.
Thomas E. Jenkins
Written in a lively and accessible style, Antiquity Now opens our gaze to the myriad uses and abuses of classical antiquity in contemporary fiction, film, comics, drama, television - and even internet forums. With every chapter focusing on a different aspect of classical reception - including sexuality, politics, gender and ethnicity - this book explores the ideological motivations behind contemporary American allusions to the classical world. Ultimately, this kaleidoscope of receptions - from calls for marriage equality to examinations of gang violence to passionate pleas for peace (or war) - reveals a 'classical antiquity' that reconfigures itself daily, as modernity explains itself to itself through ever-expanding technologies and media. Antiquity Now thus examines the often-surprising redeployment of the art and literature of the ancient world, a geography charged with especial value in the contemporary imagination.
Stephen S. Farnsworth Mick and Patrick D. Shay
Advances in Health Care Organization Theory, 2nd Edition, introduces students in health administration to the fields of organization theory and organizational behavior and their application to the management of health care organizations. The book explores the major health care developments over the past decade and demonstrates the contribution of organization theory to a deeper understanding of the changes in the delivery system, including the historic passage of the Patient Protection and Affordable Care Act of 2010. Taking both a micro and macro view, editors Stephen S. Mick and Patrick D. Shay, collaborate with a roster of contributing experts to compile a comprehensive volume that covers the latest in organization theory. Topics include:
- Institutional and neo-institutional theory
- Patient-centered practices and organizational culture change
- Design and implementation of patient-centered care management teams
- Hospital-based clusters as new organizational structures
- Application of social network theory to health care
Displays of devout religious faith are very much in evidence in nineteenth-century sentimental novels such as Uncle Tom's Cabin and Little Women, but the precise theological nature of this piety has been little examined. In the first dedicated study of the religious contents of sentimental literature, Claudia Stokes counters the long-standing characterization of sentimental piety as blandly nondescript and demonstrates that these works were in fact groundbreaking, assertive, and highly specific in their theological recommendations and endorsements. The Altar at Home explores the many religious contexts and contents of sentimental literature of the American nineteenth century, from the growth of Methodism in the Second Great Awakening and popular millennialism to the developing theologies of Mormonism and Christian Science.
Through analysis of numerous contemporary religious debates, Stokes demonstrates how sentimental writers, rather than offering simple depictions of domesticity, instead manipulated these scenes to advocate for divergent new beliefs and bolster their own religious authority. On the one hand, the comforting rhetoric of domesticity provided a subtle cover for sentimental writers to advance controversial new beliefs, practices, and causes such as Methodism, revivalism, feminist theology, and even the legitimacy of female clergy. On the other hand, sentimentality enabled women writers to bolster and affirm their own suitability for positions of public religious leadership, thereby violating the same domestic enclosure lauded by the texts.
The Altar at Home offers a fascinating new historical perspective on the dynamic role sentimental literature played in the development of innumerable new religious movements and practices, many of which remain popular today.
It is hard to imagine a good life without friendship. But what precisely makes friendship so valuable? And what is friendship at all? What unites friends and distinguishes them from others? Is the preference we give to friends rationally and morally justifiable? This collection of thirteen new essays on the philosophy of friendship considers such questions. In particular, it offers new interpretations of the answers given by famous classic philosophers such as Plato, Aristotle and Kant and provides fresh answers by leading contemporary philosophers. It is organized around five topics: the nature of friendship, the unity of friendship, friendship and reason, friendship and morality, and the place of friendship in a good life.
Rubén R. Dupertuis and Todd Penner
The book of Acts has traditionally been situated within a first-century setting, offering an apparently straightforward account of the origins and spread of Christianity. Engaging Early Christian History presents a significant departure for Christian origins studies by setting aside the explicitly historical questions commonly asked of the Acts of the Apostles and, instead, situating the text within the context of second-century history and culture. The volume extends scholarly debate beyond the analysis of pure historical debates and concerns to focus on the associations between Acts and the diverse contemporaneous texts, writers, and broader cultural phenomena in the second-century world of Christians, Romans, Greeks, and Jews. Examining the reception of Acts—and of Christian myth-making more generally—the volume explores the second century as a formative epoch for Christian storytelling, historical reimaginings, and reconfigurations of religious and social identities.
William F. Trench
William F. Trench
William F. Trench
Using a clear and informal approach, this book introduces readers to a rigorous understanding of mathematical analysis and presents challenging math concepts as clearly as possible. This book is intended for those who want to gain an understanding of mathematical analysis and challenging mathematical concepts.
Theodore Gracyk and Andrew Kania
The Routledge Companion to Philosophy and Music is an outstanding guide and reference source to the key topics, subjects, thinkers and debates in philosophy and music. Over fifty entries by an international team of contributors are organised into six clear sections:
- general issues
- kinds of music
- music, philosophy and related disciplines