Document Type
Contribution to Book
Publication Date
2007
Abstract
Kenneth Noland's paintings—whether his target-like compositions and their elliptical variations of the late 1950s and early 1960s; his midcareer chevrons, diamonds, and elongated horizontal bands; or his irregular polygon-shaped canvases of the 1970s—exhibit the artist's formal solutions to some notoriously difficult pictorial problems, specifically those generated by the complex interrelationships between shape and color.
Publisher
Frederick R. Weisman Philanthropic Foundation
City
Los Angeles
Repository Citation
Michael Schreyach, “Seeing Noland’s Feeling,” in The Frederick R. Weisman Art Foundation Collection (Los Angeles, 2007): 200-202.
ISBN
9780974090818
Publication Information
The Frederick R. Weisman Art Foundation Collection