Submissions from 2023
Introduction to Totality: Abstraction and Meaning in the Art of Barnett Newman, Michael Schreyach
Submissions from 2022
Visual Documentation for Barnett Newman’s Curatorial Projects, 1944-1946 PART II: Commentary and Assessment, Michael Schreyach
Submissions from 2020
'An Unrivaled Brass Lectorium': The Cloisters Lectern and the Gothic Revival in England, Douglas Brine
'Beautiful Authorities': Augustus W.N. Pugin and Early Netherlandish Painting, Douglas Brine
Musicians and Their Monuments in the Burgundian Netherlands: Some Art Historical Perspectives, Douglas Brine
Houston Is Almost All Right: Postmodernism on the Texas Gulf Coast, Kathryn E. O'Rourke
Untouchable, Michael Schreyach
Submissions from 2019
Shifting [A Response to Richard Shiff], Michael Schreyach
What Painting Can Do, Michael Schreyach
Submissions from 2018
Les Reliefs Votifs, Un Ensemble Exceptionnel, Douglas Brine
Pugin's 'Dürers', Douglas Brine
Reflection and Remembrance in Jan van Eyck's Van der Paele Virgin, Douglas Brine
[Review of the book Pollock's modernism, by M. Schreyach], Eileen Costello
Beholding Barnett Newman's Adam, Part 1: Scale and Standing, Michael Schreyach
Beholding Barnett Newman's Adam, Part 2: Immanent Iconography, Michael Schreyach
Beholding Barnett Newman's Adam, Part 3: Exposing Creation, Michael Schreyach
Meeting Spaces, Michael Schreyach
Moving Vision: Anne Truitt, Paintings 1972-1991, Michael Schreyach
Never Mind the Pollocks, Michael Schreyach
Spacing Expression, Michael Schreyach
Submissions from 2017
Introduction to Pollock's Modernism, Michael Schreyach
Kandinsky: Tactical, Operational, Strategic, Michael Schreyach
The Crisis of Jackson Pollock’s Mural as a Painting, Michael Schreyach
Submissions from 2015
Re-created Flatness: Hans Hofmann’s Concept of the Picture Plane as a Medium of Expression, Michael Schreyach
Submissions from 2014
A Conversation with Michael Fried, Michael Schreyach
Barnett Newman, Michael Schreyach
John Dewey and Art, Michael Schreyach
Representing “Actuality”, Michael Schreyach
The Crisis of Mural as a Painting, Michael Schreyach
The Meaning of Feeling, Michael Schreyach
Submissions from 2013
Barnett Newman's “Sense of Space”: A Noncontextualist Account of Its Perception and Meaning, Michael Schreyach
Fixed Ecstasy: Joan Miró in the 1920s, Michael Schreyach
Pre-objective Depth in Merleau-Ponty and Jackson Pollock, Michael Schreyach
Submissions from 2012
Intention and Interpretation in Hans Namuth's Film, Jackson Pollock, Michael Schreyach
Pollock's Formalist Spaces, Michael Schreyach
Submissions from 2009
Unity and Continuity in Jon Lee’s Abstract Woodblock Prints, Michael Schreyach
Submissions from 2008
Rogier van der Weyden and Early Netherlandish Wall Memorials, Douglas Brine
Submissions from 2007
David Smith's Equivalence, Michael Schreyach
Helen Frankenthaler’s Gravity, Michael Schreyach
‘I am Nature’: Science and Jackson Pollock, Michael Schreyach
Seeing Noland’s Feeling, Michael Schreyach