Document Type

Article

Publication Date

Summer 2022

Abstract

The article discusses visual documentation for American artist Barnett Newman's curatorial projects, 1944-1946. Topics include two exhibitions curated by Barnett Newman, Pre-Columbian Stone Sculpture and Northwest Coast Indian Painting; drawing using brush and ink on paper by Newman and double-faced wolf mask; and how Newman's embodied identification with the art of pre-Hispanic and Indigenous American Indian art, as represented in his drawing and in his portrait photograph.

DOI

10.1086/722325

Publication Information

Source Notes in the History of Art

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